Bøger af Ivan Turgenev

I En jægers optegnelser følger vi en ivrig jæger på hans rejse rundt i Rusland, drevet af jagtens forskellige former. I hvert af de 20 afsnit møder jægeren bønder og herremænd, soldater og jægere, rige og fattige, kvinder og mænd. Alle fortæller de jægeren om deres liv, eller jægeren oplever det selv i den tid, hvor de sammen, og fortællingerne om godhed og gerrighed, svig, glæde og fattigdom er også fortællingen om det russiskefolk, som det tog sig ud i 1852.Turgenev voksede op på sine forældres gods og så der, hvordan især hans mor tugtede og misbrugte de livegne bønder og tjenestefolkene. Det var en uretfærdighed, som blev siddende i ham gennem hele hans liv, og som udmøntede sig i værkerne En jægersoptegnelser og Fædre og sønner. Turgenev er blandt de største og mest kendte russiske forfattere fra 1800-tallet. Hans emner er de samme som hos Tolstoj og Dostojevskij, men selv yndede han at sammenligne sig med sin gode ven Gustave Flaubert. Senere forfattere som Joseph Conrad og Henry James er kraftigt influerede af Turgenev, og James har bl.a. sagt, at ”hans prosa og form er af den højeste orden”.Ivan Turgenev blev født i Orjal i Rusland af aristokratiske forældre i 1818. I 1852 udgav han, hvad der skulle blive hans store gennembrud og et hovedværk i den russiske realisme, En jægers optegnelser. Bogen slap på mirakuløs vis gennem zarens ellers strenge censur, og med sine beskrivelser af det russiske folks hårde liv blev den en stor del af grunden til, at livegenskabet endelig blev ophævet i Rusland.

"First published 1982 as Love and death, by the Folio Society"--T.p. verso.

Turgenev's first major prose work is a series of twenty-five Sketches: the observations and anecdotes of the author during his travels through Russia satisfying his passion for hunting. His album is filled with moving insights into the lives of those he encounters - peasants and landowners, doctors and bailiffs, neglected wives and bereft mothers - each providing a glimpse of love, tragedy, courage and loss, and anticipating Turgenev's great later works such as First Love and Fathers and Sons. His depiction of the cruelty and arrogance of the ruling classes was considered subversive and led to his arrest and confinement to his estate, but these sketches opened the minds of contemporary readers to the plight of the peasantry and were even said to have led Tsar Alexander II to abolish serfdom.

♥ ♥ ♥ ♥ ♥ ♥ Alexander Vesterlund, Politiken"En trist, trist og smuk, smuk fortælling" WeekendavisenJensen & Dalgaard er glade for i samarbejde med Thomas Bredsdorff at kunne præsentere endnu en titel i serien ’En klassiker til tiden’: Turgenevs Forårsbølger fra 1872 i Vilhelm Møllers oversættelse. Bogen er forsynet med forord ved Thomas Bredsdorff.Wilhelm Møller oversatte det russiske værk fra tysk og satte med sin oversættelse brand i bl.a. Brandes, Bang og J.P. Jacobsen, hvorved grunden for impressionistisk prosa i Danmark blev lagt og denne roman blev en integreret del af den danske litteraturarv.

First Love tells the story of Vladimir Petrovich, a sixteen-year-old Russian student, who becomes captivated by the enchanting twenty-one-year-old Princess Zinaida. Vladimir finds himself irresistibly drawn into her circle of suitors, despite recognizing the folly of his infatuation. First Love vividly portrays the dizzying sensation of first infatuation and the tumultuous allure of unattainable love. Spring Torrents, also known as The Torrents of Spring, begins with the introspective musings of Dmitri Pavlovich Sanin, a fifty-two-year-old Russian nobleman. While listlessly searching through old letters, Sanin finds a tiny garnet cross that reignites memories of a radiant and romantic liaison he had in his early twenties in Frankfurt with Gemma, the daughter of an Italian confectioner. A poignant tale of first love, betrayal, redemption, and forgiveness, Spring Torrents ranks as one of Turgenev's finest literary accomplishments. This Warbler Classics edition includes a foreword by Joseph Conrad, a scholarly essay on reading Springs Torrents as a sociopolitical allegory of Russia's present and future, and a detailed biographical timeline.

Ivan Turgenev "A Desperate Character, And Other Stories" is a compelling collection of brief testimonies that explores the complexities of human relationships and society in nineteenth-century Russia. Turgenev, a maestro of Russian literature, tells stories which might be each heartbreaking and intelligent. The titular narrative, "A Desperate Character," chronicles its protagonist's psychological unraveling, offering a gripping portrayal of internal struggling inside the face of societal expectancies. Turgenev's astute observations and nuanced characterizations elevate the story, imparting readers with a radical comprehension of the human condition. Turgenev's different portions inside the series, which include "A Month within the Country" and "A Quiet Backwater," expertly illustrate the multidimensional nature of affection, societal dynamics, and human soul yearnings. His awesome words and empathic narrative paint a vibrant photograph of Russian lifestyles at some point of this time. "A Desperate Character, And Other Stories" exemplifies Turgenev's literary expertise, taking pictures the essence of nineteenth-century Russia even as addressing everlasting themes that enchantment to readers from all countries and eras.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

We went out of the kitchen-garden . . . but there involuntarily I stopped short. Between us and the lodge stood a huge bull. With his head down to the ground, and a malignant gleam in his eyes, he was snorting heavily and furiously, and with a rapid movement of one fore-leg, he tossed the dust up in the air with his broad cleft hoof, lashed his sides with his tail, and suddenly backing a little, shook his shaggy neck stubbornly, and bellowed.

"'Really, uncle, if you knew my life--really, if not grief-- harsh fate! For that reason, I swear, I swear, I will reform--I will prove. Uncle, I never lied--ask any one. I am an honorable but an unhappy man, uncle. I have received no kindness from any one. Here he finally broke off. I endeavored to calm him, and succeeded in so far that when we drew up before my house Misha was already sleeping heavily, resting his head on my lap.

Ivan Turgenev, a 19th-century Russian writer, is best known for his novels and short stories that often explore the complexities of Russian society, its people, and the changing social landscape. "The Jew and Other Stories" is a collection of Turgenev's short stories, originally published in 1881. One of the prominent stories in this collection is "The Jew." In this tale, Turgenev examines themes of prejudice and societal attitudes towards Jews. The story revolves around a Russian landowner who befriends a Jewish man, challenging the prevailing anti-Semitic sentiments of the time. Turgenev's storytelling is characterized by its psychological depth and keen observations of human behavior. In "The Jew and Other Stories," he addresses various social issues, relationships, and moral questions prevalent in 19th-century Russia. Other stories in the collection may explore themes such as love, nature, and the clash between different classes in Russian society. Turgenev's works are often considered precursors to the Russian realist tradition, and his ability to capture the nuances of human interactions contributes to the enduring appeal of his short stories. While "The Jew" is a notable story in the collection, the other stories also offer insights into Turgenev's exploration of human nature and societal issues. If you are interested in Russian literature and the examination of social dynamics, Turgenev's "The Jew and Other Stories" is worth exploring.

Tre noveller, der skildrer døden på hver deres måde. Den første, “Et overflødigt Menneskes Dagbog” [00.00.00], handler om en yngre mand, der ligger for døden som følge af sygdom. Fra sit sygeleje tænker han tilbage på et ligegyldigt og forspildt liv. Den anden, “Visioner” [02.37.39], er en gengangerfortælling. En ung kvindes genfærd tager nat efter nat historiens hovedperson med på drømmeagtige fantasirejser til fjerne steder og svundne tider. Den tredje, “Tropmanns sidste nat” [04.07.57], er en reportage fra en henrettelse, der fandt sted i Paris i 1870. Turgenev oplevede begivenheden på nært hold og mødte den dødsdømte, hans bødler og en stor folkemængde i kollektiv blodrus.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Novels of Ivan Turgenev: Fathers and Children is a literary masterpiece written by the renowned Russian author Ivan Turgenev. The book is a collection of Turgenev's most famous novels, including the titular Fathers and Children. The novel explores the generational divide between fathers and their children, and the clash between traditional values and modernity.The story centers around the character of Bazarov, a nihilistic young man who rejects the traditional values of his parents' generation and embraces a new way of thinking. Bazarov's ideas are challenged by the older generation, including his own father, who cling to their traditional beliefs and ways of life.The novel is a powerful commentary on the social and political landscape of 19th century Russia, and explores themes such as individualism, nihilism, and the struggle for personal identity. Turgenev's writing is renowned for its poetic sensibility and vivid imagery, and the book is considered a classic of Russian literature.Overall, The Novels of Ivan Turgenev: Fathers and Children is a must-read for anyone interested in Russian literature, philosophy, or the human condition. It is a timeless work that continues to captivate readers with its powerful themes and unforgettable characters.1920. Russian author, deemed the foremost stylist in Russian literature, Turgenev�������s novels, poems and plays are characterized by elegant craftsmanship, lucidity and a liberal, balanced point of view. Considered his masterpiece, in Fathers and Sons, Bazarov, the hero of the novel, is an idealistic young radical, a commoner and a university student, dedicated to universal freedom and destined for tragedy in his own life.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

'What an absorbed . . . and what an indifferent face!' he muttered. 'Elena Nikolaevna, ' he continued, raising his voice, 'allow me to tell you a little anecdote. I had a friend, and this friend also had a friend, who at first conducted himself as befits a gentleman but afterwards took to drink. So one day early in the morning, my friend meets him in the street (and by that time, note, the acquaintance has been completely dropped) meets him and sees he is drunk. My friend went and turned his back on him. But he ran up and said, "I would not be angry," says he, "if you refused to recognise me, but why should you turn your back on me? Perhaps I have been brought to this through grief. Peace to my ashes

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To a certain extent the neighbours were right: Alexey Sergeitch had lived in his Suhodol for almost seventy years on end, and had had hardly anything whatever to do with the existing authorities, with the police or the law-courts. "Police-courts are for the robber, and discipline for the soldier," he used to say; "but I, thank God, am neither robber nor soldier.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A sleepy, unkempt doctor, smelling strongly of spirits, was brought. My father died under his lancet, and the next day, utterly stupefied by grief, I stood with a candle in my hands before a table, on which lay the dead man, and listened senselessly to the bass sing-song of the deacon, interrupted from time to time by the weak voice of the priest. The tears kept streaming over my cheeks, my lips, my collar, my shirtfront.

IT was the summer of 1840. Sanin was in his twenty-second year, and he was in Frankfort on his way home from Italy to Russia. He was a man of small property, but independent, almost without family ties. By the death of a distant relative, he had come into a few thousand roubles, and he had decided to spend this sum abroad before entering the service, before finally putting on the government yoke, without which he could not obtain a secure livelihood.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1898 Edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

When first published in 1862, this novel of a divided Russia, with peasants set against masters and fathers set against sons, caused great outrage. But its enduring legacy of social insight and conscience mixed with drama has given it universal appeal. Written about a "superfluous" man who was trapped between ideologies in 19th century Russia, when the young "nihilists" were at odds with the old-line liberals, "Fathers and Sons" is relevant in any age. There are always going to be clashes between generations and between those who hope for the "destruction" of an old edifice for an only partially imagined design for a new one. Ivan Turgenev presents us with perhaps the most truthful representation of this timeless, generational conflict. Of the greats in Russian literature--Tolstoy, Dostoevsky, Turgenev, and Pushkin, Turgenev gets his point across best of all. "Fathers and Sons" ranks with Turgenev's "Sketches from a Hunter's Album" as one of the most perfectly written and deeply moving books ever written. A reader with a good knowledge of Russia will not fail to appreciate this novel, and may not even be able to put it down, not so much from being riveted to an adventurous plot, but from being captivated by the sublime, marvelous beauty of Turgenev's prose. "Fathers and Sons" is a very powerful book, eye-opening and profoundly sad, which every reader will appreciate. The art involved in creating "Fathers and Sons" is what makes it a truly amazing and valuable piece of literature. Each character has characteristics that are very human. The thoughts, ideas, and ideals of the very different characters are the entirety of the plot. Turgenev does such an incredible job of creating conflict, that he doesn't need to place the characters in any action in order to attract the reader. A must read for any fan of Russian literature!