Bøger af Iwona Blazwick

Early plans for the Whitechapel Library included provision for an unrealised weathervane. Over a century later this original intention has been achieved through Rodney Graham's Erasmus Weathervane - a glittering addition to the London skyline. This publication celebrates the inauguration of Graham's weathervane on the cupola of the Whitechapel Gallery's roof. Rodney Graham was born in 1949 in Canada and lives and works in Vancouver. He has continually worked across different mediums including photography, sculpture and installation as well as music, film, performance and writing and his work has taken the form of architectural models, books, camera obscuras, wallpaper and musical scores.

Born in Dresden in 1931, Gerhard Richter left the former GDR in 1961 to study in Düsseldorf, later living and working in Cologne. His practice has redefined the medium of painting, combining a rigorous conceptual approach with a sumptuous yet elusive beauty. His mastery of genres spans landscapes, portraiture, still life and abstraction. Lying at the heart of his practice is an ongoing project that commenced in 1964 and continues to this day. Atlas comprises over five thousand photographs, drawings, diagrams and proposals that are the foundation of Richter's oeuvre. Sometimes used as a source for his painting, Richter's album of pictures also demonstrates the complex dialogues he explores between painting and photography, history and memory, perception and representation. This book provides a critical tool for navigating Atlas, bringing together Richter's own writings alongside commentaries by an international range of curators, critics and art historians. Originally published in 2003 to coincide with Gerhard Richter: Atlas at the Whitechapel Gallery, this updated edition also includes a review of the exhibition by Adrian Searle

Accompanying his first UK survey exhibition, this unique publication focusses on five major works by the American conceptual artist Mark Dion.

The second edition of this indispensable collection, Talking Art 1 is

Working towards the melding of her artistic work and the discipline of architecture, Cristina Iglesias has long been preoccupied with exploring notions of space and of a space within a space. The sheer scale of her sculptures invites viewers to walk around and occasionally through her pieces. On a more microscopic level, Iglesias has remained fascinated by details, with data that deliberately distracts or skews the perception of abstract forms. Rich surfaces, such as cast impressions of local and exotic flora, become progressively consuming as the viewer approaches them. This publication is the first mongraph on the artist, and includes a consideration of work done in collaboration with architects Abalos & Herreros and Paul Robbrech.