Bøger af J. K. Huysmans

Dieses Buch ""Gegen den Strich "" wurde in der gesamten Menschheitsgeschichte als wichtig angesehen, und damit dieses Werk niemals vergessen wird, haben wir uns bemüht, es zu bewahren, indem wir dieses Buch in einem modernen Format für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses ganze Buch wurde neu formatiert, neu abgetippt und gestaltet. Diese Bücher bestehen nicht aus gescannten Kopien ihrer Originalarbeit und daher ist der Text klar und lesbar.

French novelist Charles Marie George Huysmans adopted the pseudonym Joris-Karl, or J. K. Huysmans, for his novels, short stories and art criticism. His thirty-year tenure at the French Ministry of the Interior allowed him the financial and personal freedom to write as he pleased. In the same vein as his mentor, Émile Zola, Huysmans' writings were largely naturalistic. Huysmans' novels were somewhat controversial at the time of publication, as they often dealt with themes of religion, social and political commentary, and in the case of his 1891 novel, "The Damned", Satanism. "The Damned", is the first of a series of novels in which Huysmans' explores his own personal struggle with religious faith through his characters, in this case the main character, Durtal. The novel explores religious and philosophical extremes, and depicts Satanism in the late 1880s through the eyes of Durtal, who is seeking respite from what he sees as a disgusting and vulgar modern world. This edition is printed on premium acid-free paper and follows the translation of Keene Wallis.

One who seeks to discover the brutal reality of fin-de-siècle French bourgeoisie society, will find it here, in Huysmans's melancholy tale. Class struggles form the background of this harrowing tale; Huysmans uses steadily devolving arguments over family fortune to comment on interclass inequality in 19th century France. The greed of bourgeoisie men prevail: their dilemma vastly disparate to those of lesser fortune. A truly mordant tale, A Dilemma reflects the deeply depressing reality of class prejudice. This translation is brought to you by Aaron J. Clarke, whose tireless work allows this story to be read here, in contemporary Australia. Clarke sees the value of this profoundly moving tale and its ironic prevalence today.

First published in 1880, same year as Edgar Degas' "The Dancing Lesson and Edouard Manet's solo show, these "Parisian Sketches share the Impressionist fascination with the contemporary life of Paris, the exuberant Paris of the Opera Garnier and the Folies-Bergers. Like the striking images of the early Impressionists, "Parisian Sketches is an assault on the visual senses. Composed of a series of intense, meticulously observed literary impressions--of cafe concerts and circus performers, of streetwalkers and hot-chestnut sellers, of forgotten quarters in the grimy, shiny 'City of Light'--"Parisian Sketches recreates Paris with an intimacy and immediacy that confirms Huysmans as one of the masters of 19th century French prose.

A Parisian clerk seeks spiritual contentment in this small, dark, mordantly comic masterpiece of everyday pessimism.