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A wide-ranging work that explores two centuries of Caribbean literature from a comparative perspective. While haunted by the need to establish cultural difference and authenticity, Caribbean thought is inherently modernist in its recognition of the interplay between cultures, brought about by centuries of contact, domination, and consent.
Imaginative literature, argues Michael Dash, does not merely reflect, but actively influences historical events. He demonstrates this by a close examination of the relations between Haiti and the United States through the imaginative literature of both countries.
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