Bøger af J. Ryan

Odysseus summons Damian to build the wooden horse. Never dreaming of the slaughter that his creation would unleash, he now has the blood of innocents on his hands. The only way Damian can save the lives of the innocent is to challenge the gods themselves.

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen.