Bøger af Jack Zipes

If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "e;Bluebeard"e;; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives.

With introductions and biographies from Jack Zipes, and the original illustrations by Violet Brunton, this collection of fairy tales originally published by the award winning Romer Wilson - Green Magic (1928), Silver Magic (1929), Red Magic (1930) - offers classic fairy tales alongside lesser known, global and diverse tales.

With introductions and biographies from Jack Zipes, and the original illustrations by Kay Nielsen, this collection of fairy tales originally published by the award-winning Romer Wilson - Green Magic (1928), Silver Magic (1929), Red Magic (1930) - offers a combination of classic fairy tales, alongside lesser known, global and diverse tales.

With introductions and biographies from Jack Zipes, and the original illustrations by Violet Brunton, this collection of fairy tales originally published by the award-winning Romer Wilson - Green Magic (1928), Silver Magic (1929), Red Magic (1930) - offers a combination of classic fairy tales, with lesser-known, global and diverse tales.

"In this capstone book, fairy tale expert Jack Zipes has assembled what he describes as his last theoretical and critical study of fairy tales. His purpose is to create a coherent collection that pays tribute to a group of writers that he views as "survivors with a mission" whose tales inspire readers to this day. The book begins with a substantial introduction in which Zipes discusses the history of his interest in fairy tales and the motivation for his scholarship in the field. In a world filled with conflict, he writes, "fairy tales can be used for enlightenment by all of us or abused by small groups of powerful people who seek domination." The main text includes thirteen essays on notable authors of fairy tales-âEdouard Laboulaye, Kurt Schwitters, Bâela Bâalazs, Christian Bèarmann, Charles Godfrey Leland, Mariette Lydis, Ernst Bloch, Paul Vaillant-Couturier, Hermynia zur Mèuhlen, Lisa Teztner, Felix Salten, Emery Kelen, and Gianni Rodari-many of whom lived through revolutions and world wars or were otherwise compelled to confront political oppression during their lives. Zipes considers their cultural significance and their contributions to fairy tale literature, arguing that each deserves greater attention and appreciation. Some of the chapters have been adapted from previously published introductions Zipes wrote for the Oddly Modern Fairy Tales series, which he edits, and others are adapted from scholarly volumes that Zipes has published over his long career as a self-identified "scholarly scavenger" of largely forgotten tales. Together, they create a portrait of the political stakes that have animated Zipes's lifelong fascination with the fairy tale, and explain why readers and writers alike continue to return to this narrative form"--

This book provides a comprehensive introduction to and overview of the life and philosophy of Ernst Bloch. While this book does not set out to entirely rectify this neglect, it does offer readers an introduction to Bloch's works and the opportunity to understand more about the importance of utopian thought.

'The Robber with the Witch's Head presents almost 50 new stories about demons and clever maidens and princes. Full of adventure and magic, they are translated by Jack Zipes.

Explores the question of why some fairy tales "work" and others don't, why the fairy tale is capable of getting under the skin of culture and staying there. This book looks at fairy tale as a serious genre with wide social and cultural ramifications. It contains the history and theory of the genre, followed by case studies of famous tales.

This book lays out ways in which teachers and storytelling groups can foster the imaginative lives of children and their parents.

The fairy tale may be one of the most important cultural and social influences on children's lives. This work shows that fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture.

With refreshing independence, Jack Zipes contends that children are best served neither by the current polemics of the religious right or the radical left. It is a forthright and engaging book.

Addressing his ongoing concerns, the author of this text examines the socialization of children, the impact of the fairy tale on children and adults, and the future development of the fairy tale as a film.

"e; Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In his examinations of key classical fairy tales, Zipes traces their unique metamorphoses in history with stunning discoveries that reveal their ideological relationship to domination and oppression. Tales such as Beauty and the Beast, Snow White and the Seven Dwarves, and Rumplestiltskin have become part of our everyday culture and shapers of our identities. In this lively work, Jack Zipes explores the historical rise of the literary fairy tale as genre in the late seventeenth century and examines the ideological relationship of classic fairy tales to domination and oppression in Western society. The fairy tale received its most "e;mythic"e; articulation in America. Consequently, Zipes sees Walt Disney's Snow White as an expression of American male individualism, film and literary interpretations of L. Frank Baum's The Wizard of Oz as critiques of American myths, and Robert Bly's Iron John as a misunderstanding of folklore and traditional fairy tales. This book will change forever the way we look at the fairy tales of our youth.

This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories. He examines a range of authors, including the Brothers Grimm, Hans Christian Anderson, Ernst Bloch, Tolkien, Bettelheim, and J.K. Rowling to demonstrate the continuing symbiotic relationship between folklore and literature.

In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world-the fairy tale.Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "e;Grimm"e; aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism.With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

The most familiar fairy tales call to mind certain images: Little Red Riding Hood, Puss in Boots, Snow White, Cinderella, Rapunzel, Sleeping Beauty. Yet these visions often merely reflect illustrations encountered in classic tellings of the tales. The postcards gathered here by one of the world\u2019s foremost scholars of folk and fairy tales tell another story—of the remarkable range of interpretations and reimaginings these tales have inspired, captured, and conveyed picture by picture in this singular form. A pictorial history of fairy-tale postcards from the late nineteenth century to the present, Tales of Wonder presents a fascinating look at how key scenes of fairy tales have been rendered over time, suggesting a rethinking and reliving of the tales through the years.Drawn from the author\u2019s collection of more than three thousand fairy-tale postcards from around the world, these five hundred beautiful illustrations reproduce oil paintings, watercolors, photographs, ink drawings, and silhouettes—all evincing the myriad ways popular artists and their audiences have reimagined these tales. After an introduction and general history of fairy tales in postcards, the book features Jack Zipes\u2019s own translations of the most classical fairy tales in Europe and the United States, including versions by Charles Perrault and by Brothers Grimm.The fairy tale is not just once upon a time: it is, as fairy-tale postcard, a particular if not peculiar expression of a time, created by talented artists and innovative publishing companies. Tales of Wonder tells this intriguing history of the postcards as well as providing new perspectives on familiar stories.

First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

Re-evaluates the achievement Hans Christian Andersen, who is one of the great figures of the fairy tale and storytelling tradition, and is famous for "The Snow Queen", "The Little Mermaid", and many other tales. Exploring the relation of his work to the development of literature, it is a reconsideration of his place in English-speaking countries.

This practical, down-to-earth manual encourages storytellers, primary school teachers and public librarians to play an active part in interative storytelling. Includes stories to work with, in a 'hands-on' manner.

Jack Zipes presents the many faces of "Little Red Riding Hood". Bringing together 35 of the best versions of the tale, from the Brothers Grimm to Anne Sexton, Zipes uses the tales to explore questions of Western culture, sexism and politics.