Bøger af Jacob Burckhardt

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Cicerone: Th. Antike Kunst. 1900; Volume 1 Of Der Cicerone: Eine Anleitung Zum Genuss Der Kunstwerke Italiens; Karl Von Fabriczy 8 Jacob Burckhardt Wilhelm von Bode, Karl von Fabriczy E. A. Seemann, 1900 Art; History; General; Art; Art / General; Art / History / General

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Cicerone: Eine Anleitung Zum Genuss Der Kunstwerke Italiens, Volume 2, Parts 1-2; Der Cicerone: Eine Anleitung Zum Genuss Der Kunstwerke Italiens; Wilhelm Bode 6 Jacob Burckhardt, Wilhelm Bode E.A. Seeman, 1893 Art

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Das Buch ""Die Gegenreformation in den ehemaligen Vogteien Zwingen, Pfeffingen und Birseck des Untern Bisthums Basel am Ende des Sechszehnten Jahrhunderts"" wurde 1855 von Jacob Burckhardt ver������ffentlicht. Es besch�����ftigt sich mit der Gegenreformation, die am Ende des 16. Jahrhunderts in den genannten Gebieten des unteren Bistums Basel stattfand. Burckhardt beschreibt die politischen, religi������sen und kulturellen Entwicklungen dieser Zeit und analysiert die Auswirkungen der Gegenreformation auf die Gesellschaft. Dabei geht er auf die Rolle der Kirche, der Adeligen und der B�����rger ein und beleuchtet auch die Konflikte zwischen den verschiedenen Gruppen. Das Buch ist ein wichtiges Werk zur Geschichte der Region und zur Erforschung der Gegenreformation im Allgemeinen.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Cicerone: Eine Anleitung Zum Genuss Der Kunstwerke Italiens, Volume 2; Der Cicerone: Eine Anleitung Zum Genuss Der Kunstwerke Italiens; Jacob Burckhardt Jacob Burckhardt Art; European; Art / European

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

DR. Burckhardt's work on the Renaissance in Italy is too well known, not only to students of the period, but now to a wider circle of readers, for any introduction to be necessary. The increased interest which has of late years, in England, been taken in this and kindred subjects, and the welcome which has been given to the works of other writers upon them, encourage me to hope that in publishing this translation I am meeting a want felt by some who are either unable to read German at all, or to whom an English version will save a good deal of time and trouble.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jacob Burckhardt: Griechische Kulturgeschichte. Alle vier Bände in einem Buch Edition Holzinger. Großformat, 216 x 279 mm, zweispaltiger Satz Berliner Ausgabe, 2014, 3. Auflage Vollständiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Die Griechische Kulturgeschichte Jakob Burckhardts wurde erst nach dem Tod des Autors von Max Oeri herausgegeben. Sie erschien zwischen 1898 und 1902. Oeri konnte sich auf kein abgeschlossenes Manuskript stützen. Zwar lag ihm von den ersten beiden Bänden eine Reinschrift vor, doch war dieser eine Reihe von Ergänzungen beigegeben, so daß Oeri selbst eine letzte Überarbeitung vornehmen mußte. Für die Bände 3 und 4 lag lediglich ein Kolleg-Manuskript und eine Kolleg-Mitschrift vor. - Der hier wiedergegebene Text stützt sich auf die von Felix Staehelin herausgegebene kritische Jacob-Burckhardt-Gesamtausgabe. Staehelin verglich die Manuskripte mit der von Max Oeri hergestellten Textfassung und konnte dabei einige Lesefehler Oeris richtigstellen, die hier als Anmerkungen angeführt werden. Sie erscheinen als Endnoten mit einem vorangestellten A. Wurden von Staehlin Verbesserungen in den Fußnoten vorgenommen, steht der alte Oerische Text in eckigen Klammern dahinter. Fußnoten, die lediglich Zusätze von Oeri enthielten, wurden nicht wiedergegeben. Textgrundlage sind die Ausgaben: Jakob Burckhardt: Gesammelte Werke. Band 5, Darmstadt: Wissenschaftliche Buchgesellschaft, 1956. Jakob Burckhardt: Gesammelte Werke. Band 6, Darmstadt: Wissenschaftliche Buchgesellschaft, 1956. Jakob Burckhardt: Gesammelte Werke. Band 7, Darmstadt: Wissenschaftliche Buchgesellschaft, 1957. Jakob Burckhardt: Gesammelte Werke. Band 8, Darmstadt: Wissenschaftliche Buchgesellschaft, 1957. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus Minion Pro, 10 pt.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Civilisation En Italie Au Temps De La Renaisssance Jacob Burckhardt Plon, 1885

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Der Cicerone, Volume 1 Jacob Burckhardt Schweigerhauser, 1855

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Das Buch ""Beitr�����ge zur Kunstgeschichte von Italien: Das Altarbild, das Portr�����t in der Malerei, die Sammler"" von Jacob Burckhardt wurde im Jahr 1898 ver������ffentlicht. Es handelt sich um eine umfassende Studie zur Kunstgeschichte Italiens, die sich auf drei Hauptthemen konzentriert: Altarbild, Portr�����t und Sammler.Burckhardt untersucht die Entwicklung und Bedeutung des Altarbildes in der italienischen Kunstgeschichte, von den fr�����hen christlichen Darstellungen bis hin zu den Renaissance-Meistern wie Leonardo da Vinci und Michelangelo. Er analysiert auch die verschiedenen Stile und Techniken, die von den K�����nstlern verwendet wurden, um diese Werke zu schaffen.Das Portr�����t in der Malerei wird ebenfalls ausf�����hrlich untersucht, wobei Burckhardt die Bedeutung von Portr�����ts in der italienischen Gesellschaft und Kultur sowie ihre Entwicklung im Laufe der Zeit betrachtet. Er diskutiert auch die verschiedenen Techniken, die von den K�����nstlern verwendet wurden, um Portr�����ts zu schaffen, und analysiert einige der ber�����hmtesten Portr�����ts der italienischen Kunstgeschichte.Schlie�����lich widmet sich Burckhardt den Sammlern und ihrer Rolle in der italienischen Kunstgeschichte. Er untersucht die verschiedenen Sammler, die im Laufe der Jahrhunderte Kunstwerke gesammelt haben, und diskutiert ihre Beitr�����ge zur Kunstgeschichte und zur Erhaltung von Kunstwerken.Insgesamt bietet ""Beitr�����ge zur Kunstgeschichte von Italien"" eine umfassende und detaillierte Studie zur Kunstgeschichte Italiens, die sich auf einige der wichtigsten Themen konzentriert, die die italienische Kunst gepr�����gt haben.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

As a rule, an author's correspondence possesses only a secondary interest, but Jacob Burckhardt's letters are of primary interest to students of history because of the nature of the man and of his major writings. It was in his letters, rather than in his lectures or longer works, that Burckhardt most directly addressed the currents of intellectual thought and social and political order-or disorder-of Europe in the nineteenth century. Not only are the letters addressed. to some of the most important thinkers of the time (Nietzsche, Burckhardt's younger colleague at the University of Basel, among them), but also they address some of the most pressing issues and the most important personages of the era. As the translator notes, the "letters, written from 1838 to 1897, have a lightness of touch, an informality and humor, and a breadth of vision that make one realize why he was the most civilized historian of his century. Their contents range across a vast field of interests. Art architecture, history, poetry, music, religion--all stirred him to contagious enthusiasm. His travels led him to Italy, Germany, France, and England, and to his letters we owe delightful and penetrating insights into the character of each country."