Bøger af Jael Silliman

Shalome came to India from Syria in 1792. He was an astute businessman,and once he started his business in India, his work took him to many parts ofthe country. He wrote all about it in his diary. Now, some 240 years later, hisdescendant Jael Silliman weaves a great-fun story based on this diary, whereShalome's adventures are narrated by his little monkey friend, Chanchal.And what a colourful story it is, of royal elephants, silks, diamonds, and lotsand lots of mouthwatering delicacies! Chanchal describes how she meetsShalome in Gujarat and then accompanies him to Calcutta, a city that wassurrounded by jungles at the time. They spend a year in the nawab's palace inLucknow and meet the royal elephants there, and visit Maharaja Ranjit Singhin Punjab to see the Kohinoor!Funny, heartfelt, and filled with insights into Jewish life, Shalome Rides aRoyal Elephant is not just the story of Shalome and Chanchal, but also aboutthe great melting pot that is India where different communities and religionshave lived in harmony over the ages.

Reveals the forgotten history of Baghdadi Jews‿ journey into India through the stories of four generations of Jewish women.   An invaluable cultural document shaped from personal experience, Jewish Portraits, Indian Frames explores the fascinating social and cultural history of Baghdadi Jewish women in Calcutta, India. Through the lives of her foremothers over four generations, Jael Silliman discovers how they “dwelled in travellingâ€? despite being widely dispersed across Asia, which created a moving geography of Baghdadi Jewish culture. She shows us how they negotiated multiple identities, including that of emergent Indian nationalism, and how they perceived and shaped their Jewishness and gender in response to changing cultural and political contexts. She also traces the trajectory of a Jewish presence in one of the most hospitable cities of the diaspora.   These rich family portraits convey a sense of the singular roles women played in building and sustaining a complex diaspora in what Silliman calls “Jewish Asiaâ€? over the past 150 years. Her sketches of the everyday lives of her foremothers‿including the food they ate and the clothes they wore‿bring to life a community and a culture, even as they disclose the unexpected and subtle complexities of the colonial encounter as experienced by Jewish women.   Now back in print and featuring a new preface by the author, Jewish Portraits, Indian Frames will be a vital resource for those interested in Jewish histories as well as women‿s studies and will prove to be a fascinating narrative for a general readership as well.