Bøger af James Chapman

In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper--known as "A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls"--British Comics goes on to describe the heyday of comics in the 1950s and '60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the development of a new breed of violent comics in the 1970s, including the controversial Action and 2000AD; and the attempt by American publisher, Marvel, to launch a new hero for the British market in the form of Captain Britain. Considering the work of important contemporary comic writers such as Alan Moore, Grant Morrison, Ian Edginton, Warren Ellis, and Garth Ennis, Chapman's history comes right up to the present and takes in adult-oriented comics such as Warrior, Crisis, Deadline, and Revolver, and alternative comics such as Viz. Through a look at the changing structure of the comic publishing industry and how comic publishers, writers, and artists have responded to the tastes of their consumers, Chapman ultimately argues that British comics are distinctive and different from American, French, and Japanese comics. An invaluable reference for all comic collectors and fans in Britain and beyond, British Comics showcases the major role comics have played in the imaginative lives of readers young and old.

In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries. This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.

Chapman's travelogue is a fascinating account of his explorations through the heart of Africa in the mid-nineteenth century. He vividly describes the landscape, wildlife, and people he encountered on his journeys, offering a rare glimpse into the world of colonial exploration and discovery. This book is an essential read for anyone interested in the history and culture of Africa.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A priest in early Christian era Egypt loses his God to Qurratulain, his beloved, his wife. In the desert, God and Qurratulain fight to the death for his soul.

From Lust to Love: Navigating the Stages of Romance is an insightful guidebook that explores the journey of romantic relationships, from the initial sparks of attraction to the deep bonds of love.In this book, readers will discover the different stages of romantic relationships and learn how to navigate the challenges that come with each stage. They will gain a deeper understanding of themselves and their partners, as well as the dynamics that shape their relationships.With practical advice and proven strategies, readers will learn how to communicate effectively, resolve conflicts, build trust, and maintain intimacy in their relationships. They will also discover the importance of self-care and the value of seeking professional help when needed.From Lust to Love offers a comprehensive roadmap for couples who want to sustain the passion and romance in their relationships, and it provides a valuable resource for anyone who wants to understand the complexities of love and relationships. Whether you are in a long-term committed relationship or just starting out, this book will help you navigate the journey from lust to love.

Fiction. STET tells the life story of Stet, a filmmaker from Soviet Leningrad, who is sent for his artistic crimes to a prison camp in the 1960's, and dies there without having produced much more than a single film. Narrated in an extravagant third-person voice that emulates the sound and attitude of the classic "Russian Novel,"--opinionated, discursive, soulful--the novel depicts the fate of the artist, or of the individual, in any society. It imagines a world where we do not live by our judgments of others, nor by our fear of what other people think of us. "Fascinating, gorgeous...in a dense, imagistic style reminiscent of Michael Ondaatje or Gyorgy Konrad... For the uncommon reader..."--King's English.

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry. James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene--from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics--notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself. The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history--half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

Travels in the Interior of South Africa, comprising Fifteen Years¿ Hunting and Trading; - With journey across the continent from Natal to Walvisch Bay and visits to Lake Ngami and the Victoria Falls, in Two Volumes, Vol. II is an unchanged, high-quality reprint of the original edition of 1868.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Travels in the Interior of South Africa, comprising Fifteen Years¿ Hunting and Trading; - With journey across the continent from Natal to Walvisch Bay and visits to Lake Ngami and the Victoria Falls, in Two Volumes, Vol. I is an unchanged, high-quality reprint of the original edition of 1868.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

A brightly illustrated comic guide to sayings and expressions from around the world, comparing the ways different cultures interpret the same ideas.

Did you know that in German, a pig doesn't say oink, it says gruntz, and when you sneeze in Japanese it's hakushon, not achoo? With vibrant comics and fun facts, Sounds All Around will teach you interesting and funny onomatopoeias from all over the world!

Swashbucklers is the first study of one of the most popular and enduring genres in television history - the costume adventure series.

A concise yet authoritative introduction to the use of film for historians, designed to equip students with the methods both to analyse film texts and to understand the place of film in history and culture. Chapman explores the main theoretical debates and approaches, and charts the development of film history as a discipline in its own right.