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James Dawes defines a new, dynamic American literary genre, which takes as its theme a range of atrocities at home and abroad. This vibrant and modern genre incorporates key debates within the human rights movement in the U.S. and in turn influences the ideas and rhetoric of that discourse.
A searching meditation on our all-too-human capacity for inhumanity, Evil Men confronts atrocity head-on—how it looks and feels, what motivates it, how it can be stopped. James Dawes’s unflinchingly honest account, drawing on firsthand interviews, is not just about the things Japanese war criminals did, but about what it means to befriend them.
How can we prevent future atrocities, and stop the ones that are happening now? This book tells the powerful story of the successes and failures of the modern human rights movement. Drawing on firsthand accounts from fieldworkers around the world, the book gives a painfully clear picture of the human cost of confronting inhumanity in our day.
Focusing on American literature from the Civil War, World War I, and World War II, Dawes develops two primary questions: How does the strategic violence of war affect literary, legal, and philosophical representations? And, in turn, how do such representations affect the reception and initiation of violence itself?
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