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Contributors examine how international theatre festivals have been organised and how they have affected the evolution of sustainable theatre.
Includes the playscript of Glass House by Fatima Dike with a brief introduction by Marcia Blumberg.
Extends the study of China's "soft power" into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa.
Looks at the lives, challenges and contributions of African women from across the continent to making and participating in theatre in the 21st century.
Directors and collaborators assess and comment on the production of plays by West Africa's Nobel Laureate Wole Soyinka and East Africa's most influential author Ngugi wa Thiong'o.
A key volume for Shakespeare, African theatre and postcolonial cultural scholars, promoting debate on the role of Western cultural icons in contemporary postcolonial cultures.
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