Bøger af James Knight

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Sermon Preached At The Visitation Of The Right Reverend ... John Ld. Bishop Of London, Held In The Parish-church Of St. Sepulchre, Novemb. 10. 1719. By James Knight, ... James Knight printed for R. and J. Bonwicke, 1719

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Letter To The Reverend Dr. Clark Rector Of St. Jame's [sic], Westminster; From The Author Of The True Scripture Doctrine Of The Holy Trinity, The Eucharist, &c. Occasion'd By Some Passages In A Letter From Dr. Clark To Dr. Wells James Knight printed for George Strahan, 1714 Religion; Christian Theology; General; Religion / Christian Theology / General; Religion / Christian Theology / Systematic; Trinity

What if Life or Death are not the only Options ?

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

FOR A BETTER EXPERIENCE DOWNLOAD THE AUDIOBOOK VERSION FOR FREE!Go from SEO beginner to pro with the help of this powerful guide!Do you want to master the online SEO landscape in 2020? Looking for the best, most up-to-date solutions to get you started?Written for the beginner, this powerful book uncovers the little-known secrets of SEO, arming you with the tools you need to break into this field, grow your online business, and appear on the first page of Google. Covering the best strategies, along with a wealth of tips and tricks, now you can get started with SEO no matter your level of experience.From the basics of how SEO works to advanced strategies for improving your visibility, driving traffic, and making the most of advertising, this book offers a profound and detailed look into how you can master SEO and take your business to the next level!Here's what you'll discover inside: What is SEO, and How Does it Work?Why Do Some People Fail With SEO?Essential On-Page and Off-Page StrategiesHow to Double Your Traffic With Simple Tips7 Powerful Tips for Improving Your DiscoverabilitySEO Tricks for Local BusinessesMaking Sense of Google AnalyticsMastering Google AdWords and Online AdvertisingAnd Much More!So don't let this opportunity pass you by. If you want to grow your business and make more money in 2020, you need to understand SEO. Now you can avoid beginner mistakes, implement highly effective strategies, and supercharge your business!So what are you waiting for? Buy now to begin your journey to mastering SEO today!

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A simple step-by-step guide to the sales process compiled after years of direct and telemarketing experience. Build self confidence in sales and increases productivity. Learn what kills the deal right at the first opening, and the skill underlying the BEST WAY to open a call. Controlling the call through a dynamic presentation. The 7 most effective and proven steps to handling any objection. The MOST POWERFUL question that closes the deal.

It's raining inside Mr Punch's head.His bedroom curtains are red rags.Judy is somewhere out at sea,on a ship with hand-shaped sails.Oh, I do like to be beside the seaside!There's one wife for you! What a precious darling creature! She go to fetch our child.Mr Punch fears Jack Ketch's gibbet.It casts long shadows across his dreams.The noose is the law's reptilian eye.Enjoy James Knight's junk poem and Maxim Peter Griffin's unsettling colour illustrations, in a book that will take you inside Mr Punch's hollow skull.

"Some of the other visitors think Machine 13 is actually the Bird King himself, encased in red plastic. Whatever it is, it terrifies me." (13 machines from the Bird King's private collection)From the creators of The Madness of the Bird King: a book of poetic fragments in thirteen chapters, each accompanied by an enigmatic colour illustration."An open book, a blank page. A face, probably your face, stooping to see." (13 pieces of a broken mirror)

Snowmen are clownsin sinister stasis.While you sleepthey smother catsand feast from bins.At dawntheir paunches drip.(from "The snowmen")Head Traumas is the latest collection from the author of The Madness of the Bird King, a book described by acclaimed novelist Jeff Noon as "a brilliant piece of work".This substantial collection contains poems, prose poems and pictures. It includes a revised version of The Madness of the Bird King, Mr Punch Dreams, nine Oneiroscope pieces (combining text and image), numerous 13-part prose poems, and more.

Six Twitter poets showcase their work in this diverse anthology.From James Knight's 13-tweet preface:6. Poetry has been given a lifeline by online social networking. The private and personal has become the public and universal.7. All of the poets in this volume publish and collaborate on Twitter. Our words thrash and leap through the rapids of the timelines.8. People don't usually have time for poetry. But poems popping up in timelines give instant sensation, gratification.9. The tweet is the sonnet for the 21st Century. If a sonnet embodies elegant compression, a tweet is a mind-expanding miniature.10. The tweet is the building block of many of the poems in this book. In some cases it's obvious, in others less so.11. The poets in this anthology are diverse, but we share a playful attitude to words and an interest in hallucinatory subjectivity.12. We come from the UK, the USA, Mexico, Australia. The internet brought us together, made us virtually a movement.

Once upon a time there was a bad, bad poet called James, whose head was nothing more than a huge egg with facial features crudely appended.And one day, while James was on the toilet thinking about a line from The Waste Land ("Hieronymo's mad againe"), the egg cracked open and out lurched an ambiguous creature called the Bird King.From the moment he stepped into our world, the Bird King was very busy. He flapped his patchy wings, made absurd laws, fell in love with inanimate objects. Following him around with his head still gaping and his mulchy brain exposed, James recorded the Bird King's episodic adventures, transmitting them to the world through Twitter.******************************************Enjoy James Knight's latest collection of broken stories, poetic fragments and assembled pictures, including the long poems "The Death of the Bird King", "The Monsters" and "The Madness of the Bird King", as well as "Oneiroscope", 24 original artworks and 60 short pieces.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In late November 1864, the last Southern army east of the Mississippi that was still free to maneuver started out from northern Alabama on the Confederacy's last offensive. John Bell Hood and his Army of Tennessee had dreams of capturing Nashville and marching on to the Ohio River, but a small Union force under Hood's old West Point roommate stood between him and the state capital. In a desperate attempt to smash John Schofield's line at Franklin, Hood threw most of his men against the Union works, centered on the house of a family named Carter, and lost 30 percent of his attacking force in one afternoon, crippling his army and setting it up for a knockout blow at Nashville two weeks later. With firsthand accounts, letters and diary entries from the Carter House Archives, local historian James R. Knight paints a vivid picture of this gruesome conflict.

Title: Some observations on the assiento trade, as it hath been exercised by the South-Sea Company: proving the damage, which will accrue thereby to the British commerce and plantations in America, and particularly to Jamaica: to which is annexed, a sketch of the advantages of that island to Great Britain, by its annual produce, and by its situation for trade or war: addressed to His Grace the Duke of Newcastle, one of His Majesty's principal secretaries of state.Author: James KnightPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP03243900CollectionID: CTRG00-B507PublicationDate: 17280101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Collation: iv, 38 p.; 21 cm

Between 1737 and 1746, James Knight a merchant, planter, and sometime Crown official and legislator in Jamaica wrote a massive two-volume history of the island. Completed not long before his death in the winter of 1746-47 and held in the British Library, this work is now published for the first time.

Void Voices is a descent into the Hell that is our contemporary culture. Inevitably, Trump and Brexit feature. Dante's guide was Virgil; Knight's is an undead T S Eliot. Along the way, the reader is assailed by a cacophony of heterogeneous material, including song lyrics, doctored news stories, lines from old poems, transcriptions of nonsense texts generated by Google Translate. The Hell is that of our culture; it is also that of the poem itself: poem as voice-filled void.

"The mannequins are here again. I can feel them throbbing in my ears. They're standing around in the kitchen, impassive as stone. But inside they're laughing. I'm not getting out of bed for them, not this time." In the Dark Room is a surreal novella written and illustrated by James Knight, author of Head Traumas. The story is narrated by a bedridden man who finds himself besieged by memories, fantasies and the mannequins at the bottom of the stairs. Knight's combination of words and pictures invites us into a strange yet familiar world, governed by the logic of a dream. This special edition includes 40 full colour "oneirographs", Knight's trademark dream pictures.

"A brilliant piece of work." Jeff Noon, author of Vurt, Falling Out of Cars & The Automated Alice The Bird King is mad again. He caws through empty midnight streets, moulting tar-black feathers. James Knight's poetic account of the weird world of the Bird King is accompanied by Diana Probst's beautiful, unsettling watercolour illustrations, rendered here in full colour. Look the Bird King in the eye, see into the clunking clockwork of his dark heart.

"Sometimes the mannequins get behind my eyes I feel them tugging the strings of my nerves playing with my mechanisms They make themselves at home in the lumber room of my skull.." James Knight's latest collection of poems and prose poems takes the reader to the other side of the mirror, where the Bird King reigns and mannequins are more real than people.