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In this follow-up to his award-winning history of the Black Arts movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s.
Drawing on primary texts, paratexts, audio and visual recordings, and archival sources, James Smethurst looks at how Amiri Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day.
African American Roots of Modernism: From Reconstruction to the Harlem Renaissance
James Smethurst examines the formation of the Black Arts Movement and demonstrates how it influenced the production and reception of literature and art in the US. The Movement, he argues, changed American attitudes to the relationship between popular culture and ""high"" art and transformed public funding for the arts.
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