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Along the glittering coast of southern France, a white villa sits atop an earthen terrace-a site of artistic genius, now subject to bitter dispute. Eileen, a new architect known for her elegant chair designs, poured the concrete herself; she built it as a haven for her and her lover, and called it E-1027. When the hulking Le G, a founder of modernist architecture, laid eyes on the house in 1929, he could see his influence in the sleek lines-and he would not be outdone. Impassioned, he took a paintbrush to the clean, white walls. . . .Thirty years later, Eileen has not returned to Villa E and Le G has never left-his summers spent aging in a cabin just feet away. Mining the psyches of two brilliant, complex artists and the extrordinary place that bound them, Jane Alison boldly reimagines a now-legendary act of vandalism into a lushly poetic and mesmerizing novel of power, predation, and obsession.
The first publication about the artist in over ten years, it provides an original account of Jean Cooke and her connection with East Sussex.
Oswaldo fantasizes about avoiding the ravages of time that have beset him and his beloved Venice, while Max plans on leaving London for New Orleans in pursuit of a woman he barely knows, in this sweeping novel of love, loneliness, hope, and desperation. Reprint. 15,000 first printing.
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