Bøger af Janice Ross

ENGLike A Bomb Going Off explores the rich and complex history of twentieth-century ballet and the even more complex history of the expressive arts in the Soviet Union through the lens of one of its most relentless renegades, Leonid Yakobson. A tightly focused and fascinating study of Leonid Yakobson's work, this biography presents its subject through the multiple ideologies of which he was both a product and a critic, offering a view of him as an artist, a citizen, a Jew, and a man of high-minded principle. Yakobson, a contradictory and fascinating artist, challenged censors, staging resistance from within the most public vocabulary of compliance - classical ballet. Ross's book traces how Yakobson was an artist of contradictions, a modernist who made war on ballet and used unconventional movement while making dances for the leading Soviet companies and Russia's greatest dancers.RUSВ своей книге Дженис Росс исследует богатую и сложную историю советского балета сквозь призму творчества одного из главных возмутителей спокойствия, Леонида Якобсона. Якобсон бросал вызов цензорам, преодолевая жесткие эстетические рамки статичного и консервативного советского балета. Он был художником противоречий, м&a

Hector Kanelos loves his life. As groundskeeper (aka gatekeeper) for the Martins' estate on beautiful Jekyll Island, Georgia, he has found a place to belong and people he loves. His loyalty and commitment to the family are without question, and Michael Martin felt no misgivings when he asked Hector to safeguard the most important secret he and his wife, Andrea, would ever have.For twins, Lissa and Lani Martin, growing up on Jekyll Island was just about perfect. Now at the age of twenty, as they are ready to begin their junior year of college, Lani's life takes a different turn as she responds to God's call to move to Israel and dedicate her life to serving his chosen people. Soon after, Lissa finds herself caught up in an exciting friendship with a handsome doctor whose presence in their lives ultimately brings unexpected blessings.Both at home and across the ocean, the challenges the entire cast of characters face in the coming months are potentially life-changing, demanding complete faith in God to bring healing to the broken, restoration to shattered relationships, and forgiveness for yesterday's failures. Through it all, Hector helps the family shoulder their burdens as if they were his own while fighting his own demons and memories of a war long forgotten by most.From the picturesque beauty of Jekyll Island, Georgia, to the distant biblical heartland of Israel, The Gatekeeper is a heartwarming poignant story of love, compassion, and forgiveness with the amazing conclusion that one life well-lived can make a difference to so many.

Everyone has heard of George Balanchine. Few outside Russia know of Leonid Yakobson, Balanchine's contemporary, who remained in Lenin's Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary dances that spoke to the Soviet condition. His work was often considered so culturally explosive that it was described as "e;like a bomb going off."e; Based on untapped archival collections of photographs, films, and writings about Yakobson's work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written biography brings to life a hidden history of artistic resistance in the USSR through this brave artist, who struggled against officially sanctioned anti-Semitism while offering a vista of hope.

An examination of the origins and influence of dance in American universities, focusing on Margaret H'Doubler, who established the first university courses and degree programme in dance. It shows how H'Doubler helped to raise dance - in the eyes of the middle classes - to a serious enterprise.

Anna Halprin pioneered what became known as "e;postmodern dance,"e; creating work that was key to unlocking the door to experimentation in theater, music, Happenings, and performance art. This first comprehensive biography examines Halprin's fascinating life in the context of American culture-in particular popular culture and the West Coast as a center of artistic experimentation from the Beats through the Hippies. Janice Ross chronicles Halprin's long, remarkable career, beginning with the dancer's grandparents-who escaped Eastern European pogroms and came to the United States at the turn of the last century-and ending with the present day, when Halprin continues to defy boundaries between artistic genres as well as between participants and observers. As she follows Halprin's development from youth into old age, Ross describes in engrossing detail the artist's roles as dancer, choreographer, performance theorist, community leader, cancer survivor, healer, wife, and mother.Halprin's friends and acquaintances include a number of artists who charted the course of postmodern performance. Among her students were Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to life the vital sense of experimentation during this period. She also illuminates the work of Anna Halprin's husband, the important landscape architect Lawrence Halprin, in the context of his wife's environmental dance work. Using Halprin's dance practices and works as her focus, Ross explores the effects of danced stories on the bodies who perform them. The result is an innovative consideration of how experience becomes performance as well as a masterful account of an extraordinary life.