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Risking Difference revisions the dynamics of multicultural feminist community by exploring the ways that identification creates misrecognitions and misunderstandings between individuals and within communities. Drawing on Lacanian psychoanalysis, Jean Wyatt argues not only that individual psychic processes of identification influence social dynamics, but also that social discourses of race, class, and culture shape individual identifications. In addition to examining fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, Wyatt also looks at nonfictional accounts of cross-race relations by white feminists and feminists of color.
Looks at the dynamics of identification, envy, and idealization in fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, as well as in nonfictional accounts of cross-race relations by white feminists and feminists of color.
This provocative study explores the function of the unconscious in reading and creative processes. The book asks if reading can change the reader and if women, through reading, can change the unconscious fantasy structures that govern desire. Using models of the unconscious developed by Freud, Lacan, Kristeva, Cixous, Nay, and Chodorow, Wyatt explores the complex interactions between a text and a reader's unconscious. She theorizes specific processes whereby young readers can assimilate dynamic images of female autonomy in Heidi, The Wizard of Oz, and Little Women. By tracing the imprint of father-daughter relations on women's unconscious fantasy life, Wyatt seeks to explain the hold of romantic love fantasies like Jane Eyre over many female readers. She looks to contemporary novels for alternative fantasies: to female artist novels by Lessing, Drabble, and Walker for fantasies of sexuality nurturing creativity; and to the flexible family circles of Beloved and The Color Purple for alternatives to patriarchal family arrangements. Wyatt argues that novels like The Awakening and Housekeeping that reflect and transform readers preoedipal fantasies offer women radical alternatives to dominant cognitive and social structures.
Explores the interaction among ideas of love, narrative innovation, and reader response in Toni Morrison's seven later novels. Jean Wyatt analyses the stylistic and structural innovations of each novel, showing how disturbances in narrative chronology, surprise endings, and gaps mirror the dislocated temporality and distorted emotional responses of the novels' troubled characters.
This is a book Jean Wyatt felt compelled to write, as she has for many years wrestled with questions surrounding the love and the justice of God, his salvation and judgment through Jesus Christ, and the effect of our response (or lack of response) to that salvation.The Bible gives glimpses of hope that in the end God will restore all things, and that finally all people will worship him. If it is God's will that all should be saved, is it possible to resist that will for all eternity?Or dare we hope that God will continue to seek and ultimately save those who now reject his offered salvation? Dare we hope that hell will be a place of restorative justice and cleansing, with redemption as its aim? Wyatt has come to the conclusion that we can answer ""Yes"" to both these questions.The fire of God consumes evil and cleanses people.Meanwhile, in the here and now in which we live as disciples of Jesus Christ, we are called to be witnesses to the kingdom of God and to work for his kingdom to come ""on earth as it is in heaven.""
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