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A multifaceted collection by Jeffrey Yang, whose poetry is "flexible, expansive, sonorously clever" (The Millions).In Jeffrey Yang's vision for this brilliant new collection, the essence of poetry can be broken down into line and light. Dispersed across these poems are luminous centers, points of a constellation tracing lines of energy through art, myth, and history. These interconnections create vast and dynamic reverberations. As Yang asks in one poem, "What vitality binds a universe?" One long series explores through shadow and play the ancient Malay kingdom of Langkasuka, a legendary nexus of creativity, commerce, and spiritual life, threatened over time by violence, climate, and environmental degradation. The title poem is a study of time, night turning to dawn, revealing the lines and lights of an art installation on an island in the Hudson River, flowing into another poem about Grand Central Terminal's atrium of stars, flowing upriver into a poem that describes a cemetery for a state prison. Another extended sequence is a collaboration investigating memory and loss, composed of Yang's poems, Japanese translations by Hiroaki Sato, and drawings made with ink derived from tea leaves by the artist Kazumi Tanaka. The collection ends with moving elegies for poets, translators, and artists whose works have informed this one. Altogether, Line and Light illuminates the ways that ancestry holds and makes possible the act of making art.
From "Abalone" to "Zooxanthellae," Jeffrey Yang's debut poetry collection An Aquarium is full of the exhilarating colors and ominous forms of aquatic life. But deeper under the surface are his observations on war, environmental degradation, language, and history, as a father-troubled by violence and human mismanagement of the world-offers advice to a newborn son.
Following the convening of Hong Kong International Poetry Nights 2013, The World of Words is a collection of selected works by some of the most internationally acclaimed poets today. The poem "Orca" by Jeffrey Yang (USA) is finest contemporary poetry in trilingual or bilingual presentation.
A follow up to the groundbreaking Asian American comics anthology Secret Identities, this volume is bolder, darker and more breathtaking in scope.
There's this guy we know-quiet, unassuming, with black hair and thick glasses. He's doing his best to fit in, in a world far away from the land of his birth. He knows he's different and that his differences make him alien, an outsider-but they also make him special. Yet he finds himself unable to reveal his true self to the world. . . .For many Asian Americans, this chronicle sounds familiar because many of us have lived it. But it also happens to be the tale of mild-mannered reporter Clark Kent, better known as Superman. And the parallels between those stories help explain why Asian Americans have become such a driving force in the contemporary comics renaissance as artists, writers, and fans.Yet there's one place where Asians are still underrepresented in comics: between the four-color covers themselves. That's why, in Secret Identities, top Asian American writers, artists, and comics professionals have come together to create twenty-six original stories centered around Asian American superheroes-stories set in a shadow history of our country, exploring ordinary Asian American life from a decidedly extraordinary perspective. Entertaining, enlightening, and more than a little provocative, Secret Identities blends action, satire, and thoughtful commentary into a groundbreaking anthology about a community too often overlooked by the cultural mainstream.
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