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"There's a tensile strength of line here-predominantly pentameter-that underscores the ease of the poetic idiom: just as the heartfelt yet disciplined feeling-life of the content underwrites this collection's larger themes of Judaism and its ancient traditions. The Hardship Post has a good deal on its mind as well as the load in its heart. Polish history and heritage may be one personal focus, but displacement and identity are the greater subjects. First books don't usually take on the world at this level of seriousness and skill." -Stanley Plumly "I admire Jehanne Dubrow's poems not only for the poise and beauty of her lines, but also for the way she grapples with big subjects: inheritance and home, the cultural and the personal. A bearer of tradition, she also knows what it's like to lose herself in modernity. 'I don't belong where bodies separate / from minds like sand trying to leave behind / the sea.' Poems become strands of continuity stretched almost to breaking by mobility. Dubrow seems to have lived everywhere-and that is precisely where The Hardship Post should be read." -David Mason "At the place where the cruelties of history and those of story intersect, Jehanne Dubrow has staked a claim. These are poems of emotional intensity under formal control. An impressive first collection." -Linda Pastan
"What happens when beauty intersects with horror? In her newest nonfiction collection, Jehanne Dubrow interrogates the ethical questions that arise when we aestheticize atrocity. The daughter of US diplomats, she weaves memories of growing up overseas among narratives centered on art objects created while working under oppressive regimes."--
Taste is a lyric meditation on one of our five senses. Structured as a series of "small bites," the book considers the ways that we ingest the world. Through flavorful explorations of the sweet, the sour, the salty, the bitter, and umami, Jehanne Dubrow reflects on the nature of taste.
Explores the world of academia, examining this strange landscape populated by faculty, administrators, and students. Using what she calls "received academic forms", Jehanne Dubrow crafts poems that recall the language of academic documents such as syllabi, grading rubrics, and departmental minutes.
Moving between the languages of love and war, Jehanne Dubrow's latest book offers valuable testimony to the experiences of military wives. Frequently employing rhyme, meter, and traditional forms, these poems examine what it means to be both a military spouse and an academic, straddling two communities that speak in very different and often conflicting terms.
With her characteristic music and precision, Dubrow's prose poems delve unflinchingly into a mother's story of trauma and captivity. The poet proves that truth telling and vision can give meaning to the gravest situations, allowing women to create a future on their own terms.
Displaying a sure sense of craft and a sharp facility for linking personal experience to the public realms of history and politics, Jehanne Dubrow's Red Army Red chronicles the coming of age of a child of American diplomats in Eastern Europe in the 1980s.
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