Bøger af Jennifer Andrews

After walking in on her boyfriend with another woman, Lacey Fuller has had it with men! In the dark of night, she retreats to the one place she's always felt safe - the Lucille, her late grandfather's boat - to lick her wounds and hopefully come up with a way to salvage her love life. Calvin Chatsworth has spent the last three months running from the paparazzi. After the very public breakup of the billionaire businessman's marriage to an international supermodel, the press have been relentless. Despite his controlling father's disapproval, Cal slips onto his yacht, the Lucinda late at night and sails for the Bahamas, hoping to give the paparazzi the slip and gain some peace of mind. Only he didn't count on a stowaway. Lacey realizes she got onto the wrong boat, and she's now little more than a captive on a billionaire's yacht, bound for the Bahamas. And when the sexual tension with one hot playboy begins to mount, Lacey finds herself re-thinking her whole no-men promise. Can she survive this sensual pleasure cruise without losing her heart?

This book explores how Canada is imagined primarily by US writers, and what readers and scholars on both sides of the Canada-US border can learn from these recent depictions by examining a selection of US-authored fiction from 9/11 to the present. The novels ¿ and occasionally paintings, films, and musicals ¿ that are the subject of the book provide a deliberately varied set of case studies to probe how US texts, along with works of art produced on both sides of the Canada-US border, uncover moments in Canadian historical and literary studies that have been buried or occluded to protect Canada's self-representation as an exceptional nation.

I wrote this book to give young teenagers, young adults, and anyone who is looking for guidance a chance to see how good GOD is, he brought me out of many storms, I would like to name a few; teen pregnancy, peer pressure, how to forgive, and when someone knock you down how to get back up again.

In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States employ humour and irony to address the intricacies of race, gender, and nationality.