Bøger af Jennifer C. Vaught

This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire. Their appropriations, which were widely influential on communities of readers, writers, and intertextual networks from 1590-1660, left an abiding impression of Spenser as a biting satirist. Spenser's Afterlife from Shakespeare to Milton: The Faerie Queene as Intertextual Environment is the first study to combine the reception history of The Faerie Queene with ecocriticism, animal studies, and posthumanist tenets of vital materialism and the power of things. This poem functions as a powerful, nonhuman agent that transforms how readers respond to their environments. The Faerie Queene and its afterlives move readers to perceive flaws in political, social, and religious figureheads and institutions to envision better ones.

Examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. This study traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries.

Focuses on the diverse ways in which Shakespeare, Spenser, Marlowe, Dekker, Jonson, Milton and Herrick incorporated the carnivalesque in their works. This title demonstrates how these texts were used - and misused - by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South.