Bøger af Jennifer Higgie

Daniel Crews-Chubb (b.1984) is a London-based painter whose mixed-media works wrestle with the human condition and modes of self-expression. This monograph, Out of Chaos, is published to coincide with his solo exhibition at Timothy Taylor, New York, which brings together new paintings and works on paper. Crews-Chubb's paintings exist somewhere between figuration and abstraction. They draw on a wide variety of references, including ancient cosmologies, historic artefacts, and sculpture, pre-Columbian deities, Cubism, Abstract Expressionism, and Hellenic myth. He intertwines canonical sources and classical allusions in his paintings, creating a highly personal, idiosyncratic lexicon of human, celestial, and bestial figures.Out of Chaos takes its title from the ancient Greek notion that chaos is a state of undifferentiated matter from which the universe emerged. The paintings that form this series feature urgent, gestural marks and passages of vivid color, centred around the figure as a motif. The bodies that he depicts are ageless, non-gendered, and non-racial-- conduits for feeling, rather than signifiers of individuals. This publication reproduces a selection of Crews-Chubb's paintings from 2015 to 2024, starting with his early works and subsequently organised into seven series. Notable among these are the recent Immortals (2022-) and Out of Chaos, which is the focal point of his solo exhibition. The book also features an introduction by the writer Jennifer Higgie, an essay by art historian Matthew Holman, and an interview with writer Amah-Rose Abrams. Higgie considers Crews-Chubb's exploration of the human condition and the role of spirituality in it. In his essay "Death, the World and All Our Woe", Holman expands on the artist's references to myth and religion, describing him as a "creator who annihilates". Holman contextualises Crews-Chubb in an art-historical lineage, considering his work alongside that of Pablo Picasso, Paul Klee, and Willem de Kooning. In an in-depth interview, Crews-Chubb and Abrams delve into the artist's time at art college, the development of his painting technique and the relationship between the past and present in his work. The book is edited by Matt Price and Lada Sorokopud, designed by Import/Export, and published by Anomie Publishing, London, in association with Timothy Taylor and Roberts Projects, Los Angeles. Daniel Crews-Chubb was born in Northampton in 1984. He completed his BA at Chelsea College of Arts, London, in 2009 and undertook the Turps Studio Programme, London, in 2013. He lives and works in London. His first solo museum exhibition will take place at the Long Museum, Shanghai, in November 2024.

The most comprehensive overview of the artist’s paintings to date, Nicola Tyson: Selected Paintings 1993-2022 provides a thorough investigation of the artist’s evolving lexicon.“Tyson’s paintings do not mirror the world that we see with our eyes. Rather, they invoke a kind of dreamscape; the forms are familiar, we understand them, but we cannot quite place how we know them, or where we saw them, or why we are seeing them again now.” –Kathy Noble, ArtforumKnown primarily as a painter, Nicola Tyson adds psychological weight to eroticized flesh. She enlivens her canvases with a motley of biomorphic creatures, amalgamated from partly recognizable coordinates of corporeal and animalistic appendages. Her enigmatic mutations, borne out of what she calls “psycho-figuration,” explore the possibilities unlatched by a bodily orientation to painting, informed as much by identity, gender and sexuality as by recesses of the unconscious. The paintings often become a surprise to the artist herself. By relying less on reason, Tyson carves a humorous, unsettling, as well as liberating approach to painting the female body, which roots it in experience rather than the merely observed.The most comprehensive survey on Nicola Tyson’s paintings to date, spanning three decades of her career, Selected Paintings 1993-2022 provides a panoramic view of the evolving language in her paintings. With more than 150 illustrated pages dedicated to the artist’s chromatically saturated palette, the book boasts over 50 full-color reproductions of her paintings, supplemented by close-up detail images, installation shots and photographs of the artist in her studio.The monograph includes an essay by Jennifer Higgie, which elaborates on Tyson’s feminist-informed yet intuitive methods to subjective painting. Higgie illuminates the paintings against the backdrop of the carnivalesque ethos of 1970s queer life in London, in which Tyson came of age, as well as the fertile experiments of Trial BALLOON – the feminist-collective space that the artist founded in the 1990s upon her move to New York. Selected Paintings 1993-2022 offers readers the opportunity to delectate in the sumptuous details of Nicola Tyson’s idiosyncratic and startlingly mysterious vision, all while gaining a thorough understanding of what drives her painting practice.

"It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men - including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee - without repercussion. The fact that so many radical women artists of their generation - and earlier - also drank deeply from the same spiritual well has for too long been sorely neglected. In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records; the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California; the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients; and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalised group of artists, The Other Side is an intoxicating blend of memoir, biography and art history."--Publisher's description.

Thin Skin is an exhibition of contemporary and historical paintings by Australian and international artists who explore the liminal space between figuration and abstraction. Guest curated by Australian, London-based writer, curator and former editor of frieze magazine, Jennifer Higgie, it features works by thirty-six artists. As a term, ' thin skin' is joyfully ambiguous. Thin Skin refers not only to the delicate membrane that separates body, mind and environment, but to other borders: thresholds between reason and unreason, wisdom and foolishness, life and death, the conscious and unconscious, laughter and weeping. To have ' thin skin' is to be hypersensitive to the world around you. Paint is a thin skin on a surface. Some of the artists in Thin Skin employ absurdity, slapstick, parody, caricature and/or dreamlike logic to explore themselves and their place in the world. Others depict bodies in rich, often intertwined, conversations with the psyche, the land, domestic or work environments and with animals. Thin Skin also embraces the idea of ' thin places', an ancient term of mysterious provenance that refers to locations with a unique or peculiar energy. They are places that attract spirits; they appear when the distance between earth and heaven narrows. In Thin Skin, the ephemeral is made tangible. The fully-illustrated catalogue features new writing by Jennifer Higgie and a specially commissioned short story by Chloe Aridjis, award-winning Mexican-American novelist and writer.

A dazzlingly original and ambitious work of art history, intertwining biography and cultural history, and packed with tales of rebellion, adventure, revolution, travel and tragedy

In One Day, Something Happens: Paintings of People, the celebrated writer, art critic and coeditor of Frieze magazine, Jennifer Higgie, illuminates her fascination for the figure in modern British painting through the works of artists as diverse as David Hockney, Lynette Yiadom-Boakye, Paula Rego and Peter Blake. Teasing out common themes, from representations of joy and loneliness to masks and the carnivalesque, this highly illustrated publication offers a very personal journey through contemporary figurative art. Among the artists featured are Eileen Agar, Michael Andrews, Liz Arnold, Walter Bayes, Peter Blake, Glenn Brown, Jeffrey Camp, Steven Claydon, Prunella Clough, Robert Colquhoun, Kate Davis, Milena Dragicevic, Malcolm Drummond, Lucian Freud, Michael Fullerton, Rodney Gladwell, Alasdair Gray, Roy Grayson, Richard Hamilton, Georgia Hayes, David Hockney, Donna Huddleston, Jock McFadyen, David Noonan, Paula Rego, Ceri Richards, William Roberts, Bob Robinson, Walter Sickert, Euan Uglow and Lynette Yiadom-Boakye.

China Between is a photographic exploration of the modern city culture of contemporary China.When the Peoples¿ Republic set up its Special Economic Zones in the 1980s communist China entered intoglobal trade and international capital. The goal was financial but new money also brought new values and newways of life. Polly Braden¿s photography is an intimate response to the material and psychological effects of thechanges experienced by the country¿s new urban class. Shot over three years in Shanghai, Xiamen, Shenzhen andKunming, China Between is a revelatory portrait. No longer will images of epic scenes dominate our viewof this country. Braden shows how a casual glance, a moment of doubt or a quick trip to the shopping mallcan tell us as much about modern China as any image of a dam, a protest or a teeming workforce.¿ anthropological documents and a personal travelogue; a series of intimate portraits and,more generally, studies of a country undergoing a massive transition from a predominantly agrarianto an urban culture. ¿ Jennifer Higgie, editor of Frieze magazineA winner of the Jerwood Photography Prize (2003) and The Guardian Newspaper Young Photographer of theYear (2002), Polly Braden has exhibited at venues internationally including the Institute of Contemporary Arts(London) and the Museum of Contemporary Photography, Chicago (USA). In recent years she has producedextended photo-essays in the UK, the Middle East, Morocco, Kenya and China and her photography has appearedin The Guardian, The Saturday Telegraph magazine, Ei8ht magazine, Portfolio, ICON, Photoworks, Frieze, TheSydney Morning Herald and D Magazine (Italy). Now based in London, Polly has lived in China and photographedthe country over the last decade.The book is accompanied by texts by David Campany, Reader in Photography at the University of Westminster,London and by Jennifer Higgie, editor of Frieze magazine.