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This book argues that recognition of the corporate studio's role as author of Hollywood motion pictures enables original interpretations of Hollywood films and provides a deeper understanding of their cultural, political, and commercial objectives.
Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the Confessions of De Quincey; and Sir Walter Scott's Waverley, Christensen concludes that during complicated times of war and revolution English Romantic writers were forced to redefine their role as artists.
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