Bøger af Jerome McGann

A long line of traditional, often conservative, criticism and cultural commentary deplored Byron as a slipshod poet. This pithy yet aptly poetic book, written by one of the world's foremost Romantic scholars, argues that assessment is badly mistaken. Byron's great subject is what he called 'Cant': the habit of abusing the world through misusing language. Setting up his poetry as a laboratory to investigate failures of writing, reading, and thinking, Byron delivered sharp critical judgment on the costs exacted by a careless approach to his Mother Tongue. Perspicuous readings of Byron alongside some of his Romantic contemporaries - Burns, Blake, Wordsworth, Coleridge, Shelley - reveal Byron's startling reconfiguration of poetry as a 'broken mirror' and shattered lamp. The paradoxical result was to argue that his age's contradictions, and his own, offered both ethical opportunities and a promise of poetic - broadly cultural - emancipation. This book represents a major contribution to ideas about Romanticism.

This new edition of Jerome McGann''s exciting work, out of print for years, has been called the most significant intervention in Romantic studies since his The Romantic Ideology. It takes as its prime aim the reading of neglected poetry, principally by women, which qualifies as either poetry of sensibility or poetry of sentiment, and as such it contributes significantly to feminist perspectives. McGann''s analyses continue to provoke discussion among those interested in the hundred years of poetry it considers. Writers discussed include: Ann Batten Cristall, Benardin, Coleridge, Erasmus Darwin, Thomas Gray, Francis Greville, Felicia Hemans, William Jones, Keats, Ossian, Mary Robinson, Schiller, Shelley, Wordsworth, and Ann Yearsley. This sui generis work by the preeminent critic of Romantic poetry will attract students and scholars of English literature and Women''s Studies.

Jerome McGann's manifesto argues that the history of texts and how they are preserved and accessed for interpretation are the overriding subjects of humanist study in the digital age. Theory and philosophy no longer suffice as an intellectual framework. But philology--out of fashion for decades--models these concerns with surprising fidelity.

Jerome McGann takes his readers on a spirited tour through a wide range of Poe's verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics. In a bold reassessment, McGann argues that Poe belongs alongside Whitman and Dickinson as a foundational American poet and cultural presence.

Contributors explore Edgar Allan Poe's anti-nationalistic Americanism as they redefine the outlines of antebellum print culture and challenge ideas that situate Poe at the margins of national thought and cultural activity.