Bøger af Jerry Pinto

Compelling and personal essays that underscore the importance of inclusive storytelling in understanding our world. In Thinking Aloud, Jerry Pinto examines the notion of Bollywood as a national cinema in a linguistically diverse India. He traces its evolution from films from the 1940s-50s like Kismet and Mother India-which contributed to national identity through its themes of sacrifice and unity-to male-centric cinematic narratives of the 1970s-80s. Writing on Bollywood, biography, translation, and teaching with candor and empathy, Pinto argues that Bollywood's simplistic, good-versus-evil narratives have deeply influenced the public's perception of their past.   Drawing from his translations of works such as Sachin Kunalkar's Cobalt Blue and Daya Pawar's Baluta, Pinto stresses the importance of biographies in providing personal insights into historical events, challenging monolithic narratives, and enriching our understanding of history through diverse, often overlooked, experiences. He delves deeply into the vital role of translation in bridging cultural and linguistic divides. This book also explores Pinto's unconventional journey as an educator. Reflecting on his reluctant start as a teacher at fourteen and his innovative methods promoting the inclusion of marginalized voices, he offers a poignant commentary on the transformative power of education.

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It is now well over three decades since the Hindi-film heroine drove the vampinto extinction, and even longer since the silver screen was ignited by thetrue Bollywood version of a cabaret. Yet, Helen-nicknamed 'H-Bomb' at theheight of her career-continues to rule the popular imagination. Improbably,for an 'item girl'-who rarely appeared for more than five minutes in amovie-she has become an icon.Jerry Pinto's sparkling book is a study of the phenomenon that was Helen:Why did a refugee of French-Burmese parentage succeed as wildly as she didin mainstream Indian cinema? How could otherwise conservative familiessit through, and even enjoy, her cabarets? What made Helen 'the desirethat you need not be embarrassed about feeling'? How did she manage theunimaginable: vamp three generations of men on screen?Equally, the book is a gloriously witty and provocative examination of middleclass Indian morality; the politics of religion, gender and sexuality in popularculture; and the importance of the song, the item number and the waywardwoman in Hindi cinema.

The devastatingly original debut novel from a winner of the 2016 Windham-Campbell Prize for Fiction."Profoundly moving . . . I cannot remember when I last read something as touching as this." -Amitav Ghosh, author of The Glass PalaceFirst published by a small press in India, Jerry Pinto's debut novel has already taken the literary world by storm. Suffused with compassion, humor, and hard-won wisdom, Em and the Big Hoom is a modern masterpiece, and its American publication is certain to be one of the major literary events of the season.Meet Imelda and Augustine, or-as our young narrator calls his unusual parents-Em and the Big Hoom. Most of the time, Em smokes endless beedis and sings her way through life. She is the sun around which everyone else orbits. But as enchanting and high-spirited as she can be, when Em's bipolar disorder seizes her she becomes monstrous, sometimes with calamitous consequences for herself and others. This accomplished debut is graceful and urgent, with a one-of-a-kind voice that will stay with readers long after the last page.

Brilliantly comic and almost unbearably moving, Jerry Pinto's Em and the Big Hoom is one of the most powerful and original fiction debuts of recent years.She was always Em to us. There may have been a time when we called her something ordinary like Mummy, or Ma, but I don't remember. She was Em, and our father, sometimes, was the Big Hoom.In a tiny flat in Bombay Imelda Mendes - Em to her children - holds her family in thrall with her flamboyance, her manic affection and her cruel candour. Her husband - to whom she was once 'Buttercup' - and her two children must bear her 'microweathers', her swings from laugh-out-loud joy to dark malevolence. In Em and the Big Hoom, the son begins to unravel the story of his parents: the mother he loves and hates in the same moment and the unusual man who courted, married and protected her - as much from herself as from the world. 'It is utterly persuasive and deeply affecting: stylistically adventurous it is never self-indulgent; although suffused with pain it shows no trace of self-pity. Parts of it are extremely funny, and its pages are filled with endearing and eccentric characters' Amitav Ghosh'Pinto chases the elusive portrait of a mother who simply said of herself that she was mad. As I read this novel, that also portrays a very tender marriage and the life of a Goan family in Bombay, it drowned me. I mean that in the best way. It plunged me into a world so vivid and capricious, that when I finished, I found something had shifted and changed within myself. This is a world of magnified and dark emotion. The anger is a primal force, the sadness wild and raw. Against this, the jokes are hilarious, reckless, free falling .... This is a rare, brilliant book, one that is wonderfully different from any other that I have read coming out of India' Kiran Desai'A child's-eye view of madness and sorrow, full of love, pain, and, unaccountably, much wild comedy. ne of the very best books to come out of India in a long, long time' Salman RushdieJerry Pinto has been a mathematics tutor, school librarian and journalist and is now associated with MelJol, an NGO that works in the sphere of child rights. He has edited several anthologies including, most recently, an anthology on his native city, Mumbai.