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"This book aims to provide a general introduction to manuscript studies for readers whose particular interests lie in medieval literature. The field of medieval literary studies has long depended on manuscripts, of course. The nineteenth-century editions that facilitated the widespread study of medieval texts made explicit their dependence on manuscript evidence. But that scholarly tradition was primarily textual and philological, concerned with how to reconstruct readable texts from fragmentary remains in order to develop histories of literature and language. More modern editions have typically moved farther from considering the original forms of the texts they encounter. But it is clearer than ever that manuscripts are important to literary analysis. Medieval books provide indispensable contexts for understanding literary culture, and even for establishing (or questioning) the historical parameters of the "literary" itself. Bringing the traditional archival strengths of medieval manuscript studies together with the larger, more synthetic, and theoretical achievements of recent approaches to material texts, this handbook aims to ask such big questions"--
Presents an argument that Additional MS 37049, a Carthusian miscellany housed in the British Library closes the gap between group spectatorship and private study in late medieval England. This book addresses the manuscript's texts and illustrations to examine connections between reading and performance within the solitary monk's cell and outside.
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