Bøger af Joe Benevento

"Playground" picks up momentum from Benevento's previous two books of poetry, his volume of "selected" poems, (Expecting Songbirds 1983-2015), and his chapbook of poems in his own invented form, After, by including poems with an even wider range of publication dates than in Expecting Songbirds, and the presence of eight new "After" poems among its twenty-six lyrics. Themes such as the after effects of unrequited love, growing up in working class Queens, the redeeming potential in family, all make their appearance. This collection offers far more than recapitulation, though, with poems set in places as varied as a bagel shop in Columbus, a tapas bar in downtown Miami and a barrio in East Oakland, and subjects ranging from rehabbing a shoulder impingement, to participating in a track program for underprivileged youth to inventing a new kind of cake. Throughout these poems, Benevento affirms, as he has in published work for over thirty-five years now, his obsession with the paradox of poetry's ability to offer hope to a world that seems often hopeless without it.

When Monsignor Martin Heamey is found strangled just after a debate with Tony Cupelli, a former monsignor and present professor at Smith College, Tony's detective brother Mike seeks a possible link between this murder and the apparent suicide of a Carmelite nun in Brooklyn. The brothers uncover a growing cult of young women devoted to dark interpretations of the teachings and life of St. Teresa of Avila, a cult the brothers seek to prove guilty of the crimes, even as more possible victims of the devotees are revealed. When not one, but two, of Tony's present love interests are included among the most likely suspects, his own life is at risk unless, and until, the Cupelli brothers can decipher the clues awaiting in the secret writings of St. Teresa.

From a diverse, working-class Queens neighborhood emerge Joe Benevento's coming-of-age poems of promise, misconnection, and loss. Yearnings that are undone by youthful awkwardness, peer pressure, the strictures of grownups, happenstance, and the passage of time, as when chipping collected rocks in the cellar of a boyhood friend and "... aware almost anything / could happen. This very next rock might shine / flecks of gold or hopeful bits of green beryl precious / to us, cementing our friendship on the dusty cellar / floor, until time, like someone's tidy mother, / would discard the evidence forever." Benevento reminds us that each passage of life is a coming-of-age; each entailing the acquisition of mixed memories; each providing a bittersweet bonding with time itself. Mark Belair

Joe Benevento's Expecting Songbirds, Selected Poems, 1983-2015, provides readers with the opportunity to sample the very best of the writer's work from his four previous books in poetry: Holding On, Willing To Believe, My Puerto Rican Past and Tough Guys Don't Write, along with some of his most recent journal-published poems collected under the heading "Ode to Pears." Oftentimes narrative, and predominantly free verse, Benevento's poems mirror his Italian-American, working class roots in a predominantly black and Latino neighborhood in Queens, but they also look back on his past three decades as professor, editor and writer in the small-town, overwhelmingly white Midwest and the tensions and ironies of having lived the life of an outsider in both settings. Poems delivered with the "plain spoken ease and realism of Frost" (Walter Bargen) and which, "at their best bring to mind the exceptional work of Philip Levine and B.H. Fairchild," (Larry D. Thomas), Expecting Songbirds is an affirmation of Whitman's goal to seek the miraculous in the commonplace. Whether dealing with never quite lost loves, multi-layered lessons gleaned from nature, or a bittersweet but genuine belief in family, Expecting Songbirds stands as testament to over three decades of serious commitment to accessible poetry by a writer who has not underestimated the redeeming value in never taking oneself too seriously.