Bøger af Joel Chandler Harris

Nights With Uncle Remus: Myths And Legends Of The Old Plantation is a collection of African-American folklore and stories, compiled and written by Joel Chandler Harris. The book is set in the Old South and features the character of Uncle Remus, a wise and humorous storyteller who entertains young children with his tales of talking animals and mystical creatures. The stories are based on traditional African-American folktales and are filled with humor, wit, and wisdom. The book is a beloved classic and has been cherished by readers of all ages for over a century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Told By Uncle Remus: New Stories Of The Old Plantation"" is a collection of short stories written by Joel Chandler Harris. The book is a sequel to his previous work ""Uncle Remus: His Songs and Sayings"" and continues the tradition of African American folklore. The stories are narrated by Uncle Remus, an elderly African American man who tells tales to the children on a plantation in the Southern United States. The stories feature animals such as Br'er Rabbit, Br'er Fox, and Br'er Bear, who engage in humorous and often mischievous adventures. The book also includes illustrations by A.B. Frost, which add to the charm and appeal of the stories. Overall, ""Told By Uncle Remus: New Stories Of The Old Plantation"" is a delightful and entertaining read that offers a glimpse into the rich culture and traditions of the African American community in the South.Also Illustrated By Frank Verbeck.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Formality in a friendly letter subjects the other person to all the rigors of a snow storm". With those words, Joel Chandler Harris kindly admonished his six children on how to write to him while they were off at school, on prolonged visits, or working away from home. In turn, Harris kept his offspring informed about his works in progress, current events, household activities, and the latest gossip. He sternly advised his four boys - especially the oldest, Julian - on how they should conduct their lives and careers. He regaled his two daughters - his "dearest chums and partners" - with skits and sketches. In this volume, Hugh T. Keenan has collected the 280 surviving letters - most of them never before published - written by Harris to his children. In compiling this correspondence, Keenan uses Harris's own words to "fill in the domestic autobiography for the years 1890 to 1908", offering not only an intimate portrait of the author but also a compelling glimpse of the turn-of-the-century South in which he lived. The result is the most substantial book on Harris to be published in nearly twenty-five years. Harris's literary output during the period in which these letters were written was considerable. He produced thirteen books during the 1890s and contributed numerous short stories, essays, and articles to Scribner's and other national magazines; he was also deriving a steady income as associate editor for the Atlanta Constitution. Living in the West End section of Atlanta, he filled his letters with fascinating details of daily life, along with insights on such famous visitors to the city as James Whitcomb Riley, William Jennings Bryan, and James O'Neill. Dearest Chums and Partnersalso elucidates heretofore undisclosed aspects of the writer's personality and tastes, including his significant interest in the Roman Catholic Church. His French-Canadian wife, Esther LaRose Harris, was a devout Catholic, and their two daughters, Lillian and Mildred, attended convent school together. Many of the letters were mailed to the two girls at St. Joseph's Academy in Washington, Georgia. Because all incoming and outgoing mail was screened by the nuns, Harris developed a rapport with several of the sisters and wrote parts for them in skits he created for his daughters. Letters to his sons tended to be more instructive, although he would clarify his intent: "I am not lecturing, nor issuing orders. I am merely making suggestions". He advised Julian to keep a journal and to record his "experience and observation each day, and all the incidents that occur", adding, "To do this would seem monotonous to you now, but it would be invaluable to you later". In recording his own experiences and observations in these letters, Harris created a record of his last eighteen years that modern readers - especially those interested in the social and literary history of the South and in children's literature - will find invaluable.