Bøger af John Barr

The 1960s continues to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, where its role in a modern democracy and the form it should take was hotly debated. Through an examination of the design of university building, the book discusses this phase of architectural thinking. While there were notable buildings being built in other spheres, no other provided the opportunity to express those ideas as freely, while reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the U.K. This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Sir Basil Spence, Sir Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.

"To doubt everything or to believe everything are two equally convenient solutions; both dispense with the necessity of reflection." - Poincare Harold is a simple man long troubled by doubts about what he should or should not believe. He fears the loss of his soul if he does not soon discover which of the world's "indisputable truths" are truly indisputable. One night, alone and distraught, he falls asleep to the most realistic dream he has ever had, a dream in which he is approached by the "Big Guy" come in person to address his pain. Not one to waste an opportunity, Harold hails him down then begins a nightly grilling.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In John Barr's poems, the ancient masters encounter the modern world. Dante on a beach in China beholds the Inferno: "Flaring well gas night and day, / towers rise as if to say, / Pollution can be beautiful." Bach's final fugue informs all of nature. Villon is admonished by an aging courtesan. Aristotle finds "Demagogues are the insects of politics. / Like water beetles they stay afloat / on surface tension, they taxi on iridescence." And his afterlife: "When three-headed Cerberus greeted him / Socrates replied: I won't need / an attack dog, thankyou. I married one."

The Adventures of Ibn Opcit is a two-volume work by John Barr, first president of The Poetry Foundation. Grace, the first volume of this mock epic, is the master song of Ibn Opcit, a Caribbean gardener/poet condemned to die by torture. In a series of jailhouse monologues we hear him descant on justice, on creation, on America, on death and on life after death. In book two, Opcit at Large, the poet pushes back on his oppressors in three adventures. Like Virgil in the Inferno he visits the afterworld of reincarnation in The Afterdammit he struggles to survive as poet laureate to Africa's newest President for Life in Opcit en Afrique he orbits earth as The Last Cosmonaut on the eve of the fall of the Soviet Union. He comes home with the dignity and strength of one who has survived and prevailed.

The Adventures of Ibn Opcit is a two-volume work by John Barr, first president of The Poetry Foundation. Grace, the first volume of this mock epic, is the master song of Ibn Opcit, a Caribbean gardener/poet condemned to die by torture. In a series of jailhouse monologues we hear him descant on justice, on creation, on America, on death and on life after death. In book two, Opcit at Large, the poet pushes back on his oppressors in three adventures. Like Virgil in the Inferno he visits the afterworld of reincarnation in The Afterdammit he struggles to survive as poet laureate to Africa's newest President for Life in Opcit en Afrique he orbits earth as The Last Cosmonaut on the eve of the fall of the Soviet Union. He comes home with the dignity and strength of one who has survived and prevailed.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.