Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
This Is A New Release Of The Original 1811 Edition.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Anti-Deist is a book written by John Bellamy in 1819. It is a response to a publication called The Deist, which criticized the Bible and promoted the idea of Deism. Bellamy's book is a defense of the Bible and Christianity, arguing against the claims made by the Deist publication. He uses historical and philosophical arguments to support his position and refute the claims of the Deist publication. The Anti-Deist is a valuable resource for those interested in the history of religious debates and the defense of Christianity in the early 19th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Cleveland's crime and disaster expert is back yet again, with more true tales of woe from local history. This fifth book in John Stark Bellamy's popular series (which includes THEY DIED CRAWLING and THE KILLER IN THE ATTIC) delivers 26 new accounts of Cleveland-area crimes and disasters from 1900 through 1950, including the title story about a death on the "Thriller" roller coaster at Euclid Beach Park. Also included is a particularly odd local legend: "The Boy with Hitler's Face." Sometimes gruesome, often surprising, always entertaining.
In 1573 there occurred a murder which would leave today's tabloid editors salivating. But the obsession is not new, as this book shows in vivid and exciting detail. John Bellamy's new book provides a fascinating view of life in Tudor England and offers a new angle on our love affair with murder as a literary form.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.