Bøger af John Galsworthy

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

John Galsworthy OM ( 14 August 1867 - 31 January 1933) was an English novelist and playwright. Notable works include The Forsyte Saga (1906-1921) and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932. -wikipedia

The Island Pharisees by John Galsworthy is a novel set in the early 20th century on the fictional island of Purbeck in England. The story revolves around the lives of the upper-class families who reside on the island and their interactions with each other. The main characters are the Forsytes, who are wealthy and influential, and the Waterhouses, who are new to the island and are trying to establish themselves in society.The novel explores themes of class, social status, and morality. Galsworthy portrays the Forsytes as arrogant and self-righteous, while the Waterhouses are seen as more humble and genuine. The conflict between the two families arises when a young man from the Waterhouse family falls in love with a woman from the Forsyte family, leading to a clash of values and beliefs.The Island Pharisees is a satirical commentary on the hypocrisy and pretentiousness of the upper class, and the author uses his characters to expose the flaws and shortcomings of the society in which they live. The novel is a compelling read for those interested in the social and cultural history of England in the early 20th century, as well as for those who enjoy a well-crafted story with complex characters and intricate plotlines.After his journey up from Dover, Shelton was still fathering his luggage at Charing Cross, when the foreign girl passed him, and, in spite of his desire to say something cheering, he could get nothing out but a shame-faced smile. Her figure vanished, wavering into the hurly-burly; one of his bags had gone astray, and so all thought of her soon faded from his mind.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Excerpt from The Skin Game: A Tragi-Comedy Hillcrist's study. A pleasant room, with books in calf bindings, and signs that the Hillcrists have travelled, such as a large photograph of the Taj Mahal, of Table Mountain, and the Pyramids of Egypt. A large bureau [stage Right], devoted to the business of a country estate. Two foxes' masks. Flowers in bowls. Deep armchairs. A large French window open [at Back], with a lovely view of a slight rise of fields and trees in August sunlight. A fine stone fireplace [stage Left], A door [Left], A door opposite [Right]. General colour effect - stone, and cigar-leaf brown, with spots of bright colour. [Hillcrist sits in a swivel chair at the bureau, busy with papers. He has gout, and his left foot is encased accordingly. He is a thin, dried-up man of about fifty-five, with a rather refined, rather kindly, and rather cranky countenance. Close to him stands his very upstanding nineteen-year-old daughter Jill, with clubbed hair round a pretty, manly face.] Jill. You know, Dodo, it's all pretty good rot in these days. Hillcrist. Cads are cads, Jill, even in these days. Jill. What is a cad? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Silver Box: A Comedy in Three Acts by John Galsworthy

Light, entering the vast room-a room so high that its carved ceiling refused itself to exact scrutiny-travelled, with the wistful, cold curiosity of the dawn, over a fantastic storehouse of Time. Light, unaccompanied by the prejudice of human eyes, made strange revelation of incongruities, as though illuminating the dispassionate march of history.

The Mob: A Play in Four Acts by John Galsworthy

The Little Man: A Farcical Morality in Three Scenes by John Galsworthy

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

""The Pigeon: A Fantasy in Three Acts"" is a play written by John Galsworthy. The story revolves around a wealthy man named Sir Christopher Ongar, who is obsessed with breeding and racing pigeons. He is so passionate about his hobby that he neglects his family and business responsibilities. His wife, Lady Ongar, becomes frustrated with his behavior and seeks comfort in the arms of a young artist named Tony. Sir Christopher discovers their affair and becomes consumed with jealousy. Meanwhile, a mysterious stranger named Mabel appears, claiming to be a pigeon fancier and offering to buy one of Sir Christopher's prized birds. As the drama unfolds, the characters must confront their desires, secrets, and the consequences of their actions. ""The Pigeon"" is a thought-provoking exploration of human relationships, greed, and the dangers of obsession.1915. English novelist and playwright, winner of the Nobel Prize for Literature in 1932, Galsworthy became known for his portrayal of the British upper middle class and for his social satire. The Pigeon opens in Act I: It is the night of Christmas Eve, the scene is a Studio, flush with the street, having a skylight darkened by a fall of snow. There is no one in the room, the walls of which are whitewashed, above a floor of bare dark boards. A fire is cheerfully burning. On a model's platform stands an easel and canvas...The sound of a latchkey turned in the lock of the street door, and Ann Wellwyn enters, a girl of seventeen, with hair tied in a ribbon and covered by a scarf. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

He walked along Holywell that afternoon of early June with his short gown drooping down his arms, and no cap on his thick dark hair. A youth of middle height, and built as if he had come of two very different strains, one sturdy, the other wiry and light. His face, too, was a curious blend, for, though it was strongly formed, its expression was rather soft and moody. His eyes-dark grey, with a good deal of light in them, and very black lashes-had a way of looking beyond what they saw, so that he did not seem always to be quite present; but his smile was exceedingly swift, uncovering teeth as white as a negro's, and giving his face a peculiar eagerness. People stared at him a little as he passed-since in eighteen hundred and eighty he was before his time in not wearing a cap. Women especially were interested; they perceived that he took no notice of them, seeming rather to be looking into distance, and making combinations in his soul.

The year was 1891, the month October, the day Monday. In the dark outside the railway-station at Worsted Skeynes Mr. Horace Pendyce's omnibus, his brougham, his luggage-cart, monopolised space. The face of Mr. Horace Pendyce's coachman monopolised the light of the solitary station lantern. Rosy-gilled, with fat close-clipped grey whiskers and inscrutably pursed lips, it presided high up in the easterly air like an emblem of the feudal system. On the platform within, Mr. Horace Pendyce's first footman and second groom in long livery coats with silver buttons, their appearance slightly relieved by the rakish cock of their top-hats, awaited the arrival of the 6.15.

Under a burning blue sky, among the pine-trees and junipers, the cypresses and olives of that Odyssean coast, we came one afternoon on a pink house bearing the legend: "Osteria di Tranquillita,"; and, partly because of the name, and partly because we did not expect to find a house at all in those goat-haunted groves above the waves, we tarried for contemplation. To the familiar simplicity of that Italian building there were not lacking signs of a certain spiritual change, for out of the olive-grove which grew to its very doors a skittle-alley had been formed, and two baby cypress-trees were cut into the effigies of a cock and hen. The song of a gramophone, too, was breaking forth into the air, as it were the presiding voice of a high and cosmopolitan mind. And, lost in admiration, we became conscious of the odour of a full-flavoured cigar.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Joy: A Play On The Letter "I" In Three Acts reprint John Galsworthy Scribner, 1916

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Justice john galsworthy

John Galsworthy OM ( 14 August 1867 - 31 January 1933) was an English novelist and playwright. Notable works include The Forsyte Saga (1906-1921) and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932. -wikipedia

John Galsworthy OM ( 14 August 1867 - 31 January 1933) was an English novelist and playwright. Notable works include The Forsyte Saga (1906-1921) and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932. -wikipedia

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Strife: A Drama in Three Acts by John Galsworthy

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Jolyon Forsyte may be an old man and the new owner of the Soames house, but he has struck up an unlikely friendship with young Irene. Over a long summer, he slowly falls in love with her and makes decisions that will send shockwaves through his family. 'Indian Summer' (1918) was written by English author and playwright John Galsworthy, and is the first interlude in his masterpiece 'The Forsyte Saga'. The Forsyte Saga (1922) is a series of three novels and two interludes published between 1906 and 1921, all of which have been adapted for television.John Galsworthy (1867-1933) was an English novelist and playwright, best known for his masterpiece 'The Forsyte Saga', which won him the Nobel Prize in Literature in 1932. The trilogy depicts an upper-class English family in the years 1886-1926. It was adapted for TV in 2002 for the ITV network starring Damian Lewis, Rupert Graves and Gina McKee.In his stories, Galsworthy addresses social issues, family life, and the upper-middle class, in which he strongly criticised the morals and ideals of Victorian England. Among his other prominent works are 'From the Four Winds', 'The Silver Box', 'The Country House', and 'The Skin Game'.