Bøger af John Godwin

The Romans invented 'satire' as a separate genre and used it both for personal invective and as a literary and philosophical mode of expression. In the hands of their greatest writers mockery and critique of society becomes an artform which later ages have imitated but not equalled.

This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 3) prescription of Juvenal, Satire 6 and the A-Level (Group 4) prescription of Satires 14 and 15, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English for A Level. Juvenal was the last and the greatest of the Roman verse satirists and his poetry gives us an exuberant and outrageously jaundiced view of the early Roman Empire. This book contains a selection from three of his satires: Satire 6 attacks women and marriage, Satire 14 critiques the role played by parents in the education of children and Satire 15 describes all too vividly the cannibalism perpetrated by warring Egyptians. These Satires expose the folly and the wickedness of the world in some of the finest Latin to have survived from antiquity.Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

Juvenal's fourth book of Satires consists of three poems which are all concerned with contentment in various forms. The poet adopts a more resigned and philosophical tone, unlike the brash anger of the earlier books. These poems use enormous humour and wit to puncture the pretensions of the foolish and the wicked, urging an acceptance of our lives and a more positive stance towards life and death by mockery of the pompous and comic description of the rich and famous. In Satire 10 Juvenal examines the human desire to be rich, famous, attractive and powerful and dismisses all these goals as not worth striving for - we are in fact happier as we are. In Satires 11 and 12 he argues for the simple life which can deliver genuine happiness rather than risking the decadence of luxury and the perils of sea-travel and legacy-hunting. Self-knowledge and true friendship are the moral heart of these poems; but they are also complex literary constructs in which the figure of the speaker can beelusive and the ironic tone can cast doubt on the message being imparted. The Introduction places Juvenal in the history of Satire and also explores the style of the poems as well as the degree to which they can be read as in any sense documents of real life. The text is accompanied by a literal English translation and the commentary is keyed to important words in the translation and aims to be accessible to readers with little or no Latin. It seeks to explain both the factual background to the poems and also the literary qualities which make this poetry exciting and moving to a modern audience.

The Roman poet Lucretius, who lived in the first century BC, composed an epic poem, De Rerum Natura (On the Nature of the Universe), whose avowed purpose was to change the way we live our lives, to abandon our fear of the gods and of death, and to see what real happiness is and how to obtain it.

Good Christian people, pray attendWhilst I relate to youConcerning of a murder foul,It is, alas, too true.'Twas on the 17th day of JuneThis murder it was done.They did complete the awful deedBefore the rising sun.A helpless female, much belovedWas travelling to her home,Three boatmen seized her as she satThe water was her home.Here for the first time complete with extensive gazetteer and map is the true story of the murder of Christina Collins on the Trent & Mersey Canal at Rugeley in 1839, the story that inspired the creator of Inspector Morse, Colin Dexter, to write his award winning novel, The Wench is Dead. This much expanded edition is fully illustrated with an introduction by Colin Dexter.This guide is a must for all those with an interest in canals, history, murder and Inspector Morse as well as those who just want to explore some of the most beautiful locations in the England.

Juvenal's fourth book of Satires consists of three poems which are all concerned with contentment in various forms. The Introduction places Juvenal in the history of Satire and also explores the style of the poems as well as the degree to which they can be read as in any sense documents of real life.

Of all the Roman poets Catullus is the most accessible for the modern reader. In six concise chapters Godwin deals with the cultural background to Catullus' poetic production, its literary context, the role of love, Alexandrian learning and obscenity and, in the final chapter, considers the coherence and rationale of the collection as a whole.

Book IV of Lucretius' great philosophical poem deals mainly with the psychology of sensation ad thought. The heart of this book is a new text, incorporating the latest scholarship on the text of Lucretius, with a clear prose facing translation. The commentary concentrates on the thought of the text (relating it to other philosophers beside Epicurus) and the poetry of the Latin, placing the text in relation to Roman literature in general, and attempting to demonstrate the poetic genius of Lucretius. The introduction deals with the didactic tradition in ancient literature and Lucretius' place in it, the structure of De Rerum Natura, the salient features of the philosophy of Epicurus and the transmission of the text.