Bøger af John Keats

Divided into five stanzas of ten lines each, the ode contains a narrator''s discourse on a series of designs on a Grecian urn. The poem focuses on two scenes: one in which a lover eternally pursues a beloved without fulfilment, and another of villagers about to perform a sacrifice. John Keats (1795 - 1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. "Ode on a Grecian Urn" was not well received by contemporary critics. It was only by the mid-19th century that it began to be praised, although it is now considered to be one of the greatest odes in the English language. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature.

John Keats (1795-1821) was an English Romantic poet. Content: Introduction: Life of John Keats by Sidney Colvin Sonnets: Bright Star! Would I Were Steadfast As Thou Art On First Looking into Chapman''s Homer Sonnet: When I Have Fears That I May Cease to Be Sonnet on the Sonnet Sonnet to Chatterton Sonnet Written in Disgust of Vulgar Superstition Sonnet: Why Did I Laugh Tonight? No Voice Will Tell Sonnet to a Cat Sonnet Written Upon the Top of Ben Nevis Sonnet: This Pleasant Tale is Like a Little Copse Sonnet - The Human Seasons Sonnet to Homer Sonnet to A Lady Seen for a Few Moments at Vauxhall Sonnet on Visiting the Tomb of Burns Sonnet on Leigh Hunt''s Poem ''the Story of Rimini'' Sonnet: A Dream, After Reading Dante''s Episode of Paulo and Francesco Sonnet to Sleep Sonnet Written in Answer to a Sonnet Ending Thus: Sonnet: After Dark Vapours Have Oppress''d Our Plains Sonnet to John Hamilton Reynolds Sonnet on Sitting Down to Read King Lear Once Again Sonnet: Before He Went to Feed with Owls and Bats Sonnet Written in the Cottage Where Burns Was Born Sonnet to The Nile Sonnet on Peace Sonnet on Hearing the Bagpipe and Sonnet: Oh! How I Love, on a Fair Summer''s Eve Sonnet to Byron Sonnet to Spenser Sonnet: As from the Darkening Gloom A Silver Dove Sonnet on the Sea Sonnet to Fanny Sonnet to Ailsa Rock Sonnet on a Picture of Leander Sonnets Two Sonnets on Fame To My Brothers Addressed to Haydon To G. A. W. To a Friend Who Sent Me Some Roses To a Young Lady Who Sent Me a Laurel Crown On Receiving a Laurel Crown from Leigh Hunt To Kosciusko Happy is England! I Could Be Content How Many Bards Gild the Lapses of Time! On the Grasshopper and Cricket The Day is Gone, and All Its Sweets Are Gone! To the Ladies Who Saw Me Crown''d To My Brother George On Seeing the Elgin Marbles To One Who Has Been Long in City Pent ...

John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. Table of Contents: ΓÇó Introduction: Life of John Keats by Sidney Colvin ΓÇó Ode ΓÇó Ode on a Grecian Urn ΓÇó Ode to Apollo ΓÇó Ode to Fanny ΓÇó Ode on Indolence ΓÇó Ode on Melancholy ΓÇó Ode to Psyche ΓÇó Ode to a Nightingale ΓÇó Sonnets ΓÇó Sonnet: When I Have Fears That I May Cease to Be ΓÇó Sonnet on the Sonnet ΓÇó Sonnet to Chatterton ΓÇó Sonnet Written in Disgust of Vulgar Superstition ΓÇó Sonnet: Why Did I Laugh Tonight? No Voice Will Tell ΓÇó Sonnet to a Cat ΓÇó Sonnet Written Upon the Top of Ben Nevis ΓÇó Sonnet: This Pleasant Tale is Like a Little Copse ΓÇó Sonnet - The Human Seasons ΓÇó Sonnet to Homer ΓÇó Sonnet to A Lady Seen for a Few Moments at Vauxhall ΓÇó Sonnet on Visiting the Tomb of Burns ΓÇó Sonnet on Leigh Hunt''s Poem ''the Story of Rimini'' ΓÇó Sonnet: A Dream, After Reading Dante''s Episode of Paulo and Francesco ΓÇó Sonnet to Sleep ΓÇó Sonnet Written in Answer to a Sonnet Ending Thus: ΓÇó Sonnet: After Dark Vapours Have Oppress''d Our Plains ΓÇó Sonnet to John Hamilton Reynolds ΓÇó Sonnet on Sitting Down to Read King Lear Once Again ΓÇó Sonnet: Before He Went to Feed with Owls and Bats ΓÇó Sonnet Written in the Cottage Where Burns Was Born ΓÇó Sonnet to The Nile ΓÇó Sonnet on Peace ΓÇó Sonnet on Hearing the Bagpipe and ΓÇó Sonnet: Oh! How I Love, on a Fair Summer''s Eve ΓÇó Sonnet to Byron ΓÇó Sonnet to Spenser ΓÇó Sonnet: As from the Darkening Gloom A Silver Dove ΓÇó Sonnet on the Sea ΓÇó Sonnet to Fanny ΓÇó Sonnet to Ailsa Rock ΓÇó Sonnet on a Picture of Leander ΓÇó Translation from a Sonnet of Ronsard ΓÇó Two Sonnets on Fame ΓÇó Lamia ΓÇó Isabella ΓÇó Endymion ΓÇó Hyperion ΓÇó Stanzas ΓÇó Spenserian Stanza ΓÇó Spenserian Stanzas on Charles Armitage Brown ΓÇó Stanzas to Miss Wylie ΓÇó Robin Hood ΓÇó The Eve of St. Agnes ΓÇó Modern Love ΓÇó ...

John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. During the 19th century, critics deemed them unworthy of attention, distractions from his poetic works. During the 20th century they became almost as admired and studied as his poetry, and are highly regarded within the canon of English literary correspondence. T. S. Eliot described them as "certainly the most notable and most important ever written by any English poet." Keats spent a great deal of time considering poetry itself, its constructs and impacts, displaying a deep interest unusual amongst his milieu who were more easily distracted by metaphysics or politics, fashions or science. Table of Contents: ΓÇó Biographies: ΓÇó Life of John Keats by Sidney Colvin ΓÇó Life, letters, and literary remains, of John Ketas by Richard Monckton Milnes ΓÇó Complete Letters: ΓÇó To Messrs, Taylor and Hessey ΓÇó To Jane Reynolds ΓÇó To Charles Wentworth Dilke ΓÇó To Joseph Severn ΓÇó To John Taylor ΓÇó To Benjamin Robert Haydon ΓÇó To Benjamin Bailey ΓÇó To John Hamilton Reynolds ΓÇó To George and Thomas Keats ΓÇó To Fanny Keats ΓÇó To James Rice ΓÇó To Leigh Hunt ΓÇó To Richard Woodhouse ΓÇó To Thomas Keats ΓÇó To James Elmes ΓÇó To Mrs. Brawne ΓÇó To Charles Cowden Clarke ΓÇó To George and Georgiana Keats ΓÇó To Percy Bysshe Shelley ΓÇó To Mrs. Reynolds ΓÇó To Georgiana Keats ΓÇó To Mariane and Jane Reynolds ΓÇó To Mrs. Wylie ΓÇó To Charles Brown...

This 1895 centenary collection of 214 'racy, lively, inimitably good-tempered' letters by the Romantic poet John Keats (1795-1821) to his family, friends and fiancee was edited by the Harry Buxton Forman (1842-1917). Forman included previously unpublished correspondence, aiming to 'complete the picture of the true Keats'.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

La veille de la Sainte-Agnès / par John Keats; traduction de la Desse de Clermont-TonnerreDate de l'édition originale: 1913Collection: Les amis d'Édouard; 17Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

THREE ROMANTIC POETS: EMILY BRONTE, JOHN KEATS, PERCY BYSSHE SHELLEYSELECTED POEMSEdited and introduced by L.M. Poole Three great Romantics poets are featured in this anthology - Percy Bysshe Shelley, John Keats and Emily Bronte. The book includes all of their famous poems. Emily Bronte as a poet is still neglected today. Her novel Wuthering Heights, however, remains one of the great English novels. It continues to sell, continues to be adapted for radio, theatre, film and television, continues to inspire readers and be cited by critics. The wind whistling through the heather in Winter is indeed the atmosphere of Wuthering Heights, and also of Bronte's poetry. In poem after poem we find loving evocations of the moors: we hear of 'the breezy moor' (in "The starry night shall tidings bring"), the 'flowerless moors' (in "How still, how happy! Those are words"), and of 'the moors where the linnet was trilling/ Its song on the old granite stone' (in "Loud without the wind was roaring", the most powerful of Bronte's moor-poems). John Keats is one of the few British poets who is truly ecstatic and wild. Despite the overly-ornate language, the often awkward phrases ('made sweet moan' in 'La Belle Dame Sans Merci'), despite the Romantic indulgences and the sometimes chauvinist views, the often over-simplification of natural and human processes and experiences, and despite the tendency to gush and exaggerate, Keats is one of the few poets who write in English who is truly furious and shamanic. This book gathers the most potent passages from John Keats together, including the famous 'Odes', the sonnets, the luxuriously sensuous 'Eve of St Agnes', the mysterious and atmospheric 'La Belle Dame Sans Merci', and extracts from 'Lamia', Endymion and Hyperion. Percy Shelley is one of the major British poets, seen by many people as the breathless, hyper-lyrical, angelic yet anarchic poet of the Romantic era, out-doing Lord Byron and John Keats in terms of sheer brilliance. His personality, as with Keats and Byron, is a crucial component in the Shelley legend. Shelley has a cult built up around him. The book includes a selection of Shelley's odes, hymns and paeans of England's breathless, angelic, anarchic poet. Famous poems, such as 'Ode to the West Wind' and 'The Cloud', are set beside extracts from Prometheus Unbound and Epipsychidion. With an introduction and bibliography for each poet. Plus a portrait gallery for each poet. www.crmoon.com.

JOHN KEATS: POEMS OF 1820 Edited with an introduction by Miriam Chalk. Includes notes by M. Robertson, and a new gallery of images, including many paintings illustrating Keats' poetry. This is the book published in 1820 by John Keats (1795-1821). It includes some famous 'Odes', the luxuriously sensuous 'Eve of St Agnes', and the longer poems 'Lamia' and 'Hyperion'. John Keats is one of the few British poets who is truly ecstatic and wild. Keats is known for his ornate language, memorable phrases ('made sweet moan' in 'La Belle Dame Sans Merci'), Romantic indulgences, and a tendency to gush and exaggerate. Keats is one of a few poets who write in English in a shamanic manner. John Keats reaches the pinnacle of British poetry, as W. Jackson Bate, typical among critics, says: 'the language of his greatest poetry has always held an attraction; for there we reach, if only for a brief while, a high plateau where in mastery of phrase he has few equals in English poetry, and only one obvious superior.' Like Arthur Rimbaud, and like the poet he is most compared with, Percy Bysshe Shelley, John Keats burnt fiercely and died young. He is a poet as martyr and hero, a Vincent van Gogh of poesie. He is famous for his sensual odes - 'Ode to a Grecian Urn', 'Ode to Melancholy', 'To Autumn', 'Ode to Psyche' and 'Ode to a Nightingale' - the poems 'Lamia', 'Endymion' and 'Hyperion', the luxuriant 'The Eve of St Agnes', a group of sonnets, and the strange, haunting fairy tale poem 'La Belle Dame Sans Merci'. John Keats is a typical Romantic poet: he used pagan imagery; he employs much ancient Greek mythology; he  is a shamanic poet, who writes in feverish bouts; he is a 'poet's poet'; he wrote searing short poems, and attempted long, epic sequences; he revered the right authors (John Milton, William Shakespeare, the ancient Greeks); he died young; and he travelled to Italy, the key destination for the authentic Grand Tour experience.    British Poets Series. Illustrated, with new images for this edition. Bibliography and notes. 224 pages. www.crmoon.com

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A selection of poetry by one of the great Romantic poets, edited and introduced by Dr Andrew Hodgson.