Bøger af John Lahr

A great theater critic brings twentieth-century playwright Arthur Miller’s dramatic story to life with bold and revealing new insights

This mesmerizing story of playwright and author Joe Orton's brief and remarkable life was named book of the year by Truman Capote and Nobel Prizewinning novelist Patrick White Told with precision and extensive detail, Prick Up Your Ears is the engrossing biography of playwright and novelist Joe Orton. Orton's public career spanned only three years (19641967), but his work made a lasting mark on the international stage. From Entertaining Mr. Sloane to his career-making Loot, Orton's plays often shocked, sometimes outraged, and always captivated audiences with their dark yet farcical cynicism. A rising star and undeniable talent, Orton left much undone when he was bludgeoned to death by his lover, Kenneth Halliwell, who had educated Orton and also dreamed of becoming a famous writer. Prick Up Your Ears was the basis for the distinguished 1987 film of the same name, directed by Stephen Frears, with a screenplay by Alan Bennett, and starring Gary Oldman and Vanessa Redgrave. A brilliant, page-turning examination of the dueling forces behind Orton's work, Prick Up Your Ears secured the playwright's reputation as a great twentieth-century artist.

John Lahr's stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr's masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM's classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm's length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the constructionand destructionof the performer, Notes on a Cowardly Lion is more than one man's quest to understand his father; it is an extraordinary examination of a life in American show business.

Screenplay to John Lahr''s successful dramatization of The Orton Diaries that chronicles the last eight months of Joe Orton''s life, his growing theatrical celebrity, and the corresponding punishing effect it had on his relationship with his friend and mentor Kenneth Halliwell, who murdered him on August 9, 1967, and then took his own life.

A brilliant and feared critic, Kenneth Tynan was a nabob of the National Theatre alongside Laurence Olivier, and he was also the daring impresario who created "Oh Calcutta". This work features his diaries that remind older readers of a man whose reputation as the greatest critic of the twentieth century is still unchallenged.

In these incisive, often moving portraits John Lahr charts the geography of fame with the gift of revealing both the art and the artist, uncovering how life and work intersect.

Drawing on research on prehistoric archaeology, epigraphy and art history, Charles Higham presents a clear and concise history of the remarkable civilisation of Angkor.

SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTIONThe definitive biography of America's most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr'A masterpiece about a genius' Helen Mirren'Riveting ... masterful' Sunday Times, Books of the YearOn 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. Tennessee Williams, the show's thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, 'like a farm boy in his Sunday best'. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Beloved by an American public, Tennessee Williams's work - blood hot and personal - pioneered, as Arthur Miller declared, 'a revolution' in American theatre.Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama.Including Williams's poems, stories, journals and private correspondence in his discussion of the work - posthumously Williams has been regarded as one of the best letter writers of his day - Lahr delivers an astoundingly sensitive and lively reassessment of one of America's greatest dramatists. Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art.

This text reconstructs the life and death of Joe Orton, an extraordinary and anarchic playwright, whose plays scandalised and delighted the public, and whose indecisive loyalty to a friend caused his tragic and untimely death.

A reissue in hardback of critic John Lahr's famous 1982 study of Noel Coward's plays