Bøger af John Maxwell Hamilton

"The latest in LSU Press's Iconic New Orleans Cocktails series, The French 75 tells the stories of the many lives of this protean cocktail. John Maxwell Hamilton begins his search for the French 75 in Europe, traveling to some of the many locations where it may have originated-yet always recognizing that some version of the French 75 was invented multiple times in multiple places. A century or so after its probable creation, this cocktail arrived at Arnaud's Restaurant and became as entrenched in New Orleans as the famed second line. Hamilton not only explores the kaleidoscopic variety of the French 75 over the years and across continents but also includes several now-iconic recipes for the cocktail"--

Manipulating the Masses tells the story of the enduring threat to American democracy that arose out of World War I: the establishment of pervasive, systematic propaganda as an instrument of the state. During the Great War, the federal government exercised unprecedented power to shape the views and attitudes of American citizens. Its agent for this was the Committee on Public Information (CPI), established by President Woodrow Wilson one week after the United States entered the war in April 1917.Driven by its fiery chief, George Creel, the CPI reached every crevice of the nation, every day, and extended widely abroad. It established the first national newspaper, made prepackaged news a quotidian aspect of governing, and pioneered the concept of public diplomacy. It spread the Wilson administration's messages through articles, cartoons, books, and advertisements in newspapers and magazines; through feature films and volunteer Four Minute Men who spoke during intermission; through posters plastered on buildings and along highways; and through pamphlets distributed by the millions. It enlisted the nation's leading progressive journalists, advertising executives, and artists. It harnessed American universities and their professors to create propaganda and add legitimacy to its mission.Even as Creel insisted that the CPI was a conduit for reliable, fact-based information, the office regularly sanitized news, distorted facts, and played on emotions. Creel extolled transparency but established front organizations. Overseas, the CPI secretly subsidized news organs and bribed journalists. At home, it challenged the loyalty of those who occasionally questioned its tactics. Working closely with federal intelligence agencies eager to sniff out subversives and stifle dissent, the CPI was an accomplice to the Wilson administration's trampling of civil liberties.Until now, the full story of the CPI has never been told. John Maxwell Hamilton consulted over 150 archival collections in the United States and Europe to write this revealing history, which shows the shortcuts to open, honest debate that even well-meaning propagandists take to bend others to their views. Every element of contemporary government propaganda has antecedents in the CPI. It is the ideal vehicle for understanding the rise of propaganda, its methods of operation, and the threat it poses to democracy.

A biography of the writer and journalist whose book Red Star over China has been called the most important book ever written by an American correspondent. His biography includes a history of the Communist movement in China from the 1930s to the 1970s. Annotation copyright Book News, Inc. Portland, O

Winner of the Goldsmith Prize, the Tankard Book Award, and the American Journalism Historians Association's Book of the Year, Journalism's Roving Eye has quickly become the definitive history of American foreign reporting. This edition includes a new preface and updated text that reflects current developments in foreign reporting.

Offers colourful stories and insights about the lives and personalities of some of history's most celebrated war correspondents. With a foreword by John Maxwell Hamilton, this new edition opens a window into the fascinating world of foreign newsgathering at the turn of the twentieth century.

In this award-winning biography, journalist John Maxwell Hamilton follows Edgar Snow from his birth in Kansas City to his rise as a celebrated foreign correspondent for the Saturday Evening Post, his ostracism during the cold war, and his role as a singular journalistic bridge between Communist China and the United States.

In this irreverent analysis of the book industry, John Maxwell Hamilton argues that the best way to study books is not to take them too seriously. He provides a rich history of the book - from the days when monks laboriously hand-copied texts to the tidal wave of Titanic tie-ins - and gives a succinct overview of the state of the industry today.

With wit and authority, John Hamilton and George Krimsky lead readers through the whirl of print journalism. They offer a curiosity-satisfying blend of explanation and interpretation, history, anecdotes aplenty, and statistical analysis to show what's wrong and what works with today's newspapers.

Explores a profound and enduring threat to American democracy that arose out of World War I: the establishment of pervasive, systematic propaganda as an instrument of the state. During the Great War, the federal government exercised unprecedented power to shape the views and attitudes of American citizens.

This reissue of a largely forgotten book by Evelyn Waugh will be the first in our new series edited by John Maxwell Hamilton, From Our Own Correspondent. Waugh's hilarious novel, Scoop, is said to be the closest thing foreign correspondents have to a Bible. Along with generations of general readers, the correspondents swear by and laugh at the antics of reporters in Waugh's fictional Ishmaelia. Few readers, however, are as acquainted with this title. It is Waugh's memoir of his time as a London Daily Mail correspondent in Abyssinia, what is today Ethiopia, during the mid-1930's when Italy invaded the hapless country. Waugh's account, though often criticized for its endorsement of the Italian invasion, provides a fascinating short history of Mussolini's imperial strides. It also introduces Waugh's famous wit and the characters and follies that figure into his notorious satire.