Bøger af John Murray

Brett Halsey s film career is comprised of an amazing body of work: big-budget Hollywood A pictures like All I Desire; cult JD movies that include Hot Rod Rumble and High School Hellcats; classic horror/sci-fi flicks Return of the Fly and The Atomic Submarine; numerous Spaghetti Western titles including Kill Johnny Ringo and Today We Kill...Tomorrow We Die; a series of Eurospy thrillers, notably Espionage in Lisbon and Spy in Your Eye; films with Dario Argento and Lucio Fulci; an impressive resume of television appearances including the series Follow the Sun and the soap opera General Hospital. He has also authored several novels and screenplays and stepped behind the camera to take on directing and producing. But it will be his film roles that will define this consumate working actor. In his best roles, Halsey transcends the mechanics of screen acting focus on character, concentration on serving the script, good interpretation of dialogue, clear delivery, lithe physical movement, mobility of facial expression principally because the screen is Halsey s natural home.

Mike Reeves, a public schoolboy in the late 1950s, gets permission from his Housemaster to visit the local cinema every Saturday. There he worships Hollywood movies, especially those made by Don Siegel and Roger Corman, who become his idols. He dreams of emulating them. Ten years later, having directed only three films for a total budget less than £200,000, Mike Reeves is dead. A couple of years later, Roger Corman comes to England to make a film. Actor Nicky Henson, who worked with Mike Reeves, is invited to an interview for a part in the film. As he walks into the room, Roger Corman says, "Tell me about Michael Reeves!" Another couple of years pass. Don Siegel comes to England to make a film. Again Nicky Henson is invited to an interview for a part in the film. As he walks into the room, Don Siegel says, "Tell me about Michael Reeves!" Author John B. Murray does indeed tell film fans about The Remarkable Michael Reeves and His Short and Tragic Life in this intriguing biography of the talented but fragile filmmaker, whose death at an early age assured him eternal cult status among horror film fans.

How many people have looked at a map of the Highlands and been intrigued and yet, at the same time, felt excluded by the wealth and strangeness of the place names recorded? Reading the Gaelic Landscape is a must for anyone who is interested in the Scottish Highlands and its ancient tongue. It will encourage people to read and understand the seemingly obscure Gaelic words, and also provides an insight into landscape history. The text will enrich the experience of walkers, climbers, sailors, bird watchers and fishers by sketching the Gaelic context where they enjoy and pursue their interests. Outdoor enthusiasts will no longer struggle with unfamiliar spellings and words as they will acquire a new dimension of place through an understanding of place names in the Highlands. Enough knowledge about pronunciation and Gaelic grammar is provided for readers to enable them to pronounce names, so that a native speaker can understand them. Sufficient grammar is given to help the reader see the different forms of words, which occur in various combinations in place names. The vast linguistic resource of place names written in an endangered language would also be opened up to learners and schoolchildren in Gaelic medium education who would be able to broaden their vocabulary beyond what is normally taught, and reacquaint themselves with their rural heritage. The book takes a unique and comprehensive approach, as it expands and categorises current place name vocabulary and provides commentaries on Gaelic ecology, culture and landscape between each section. There is also a comprehensive index, which directs readers to examples of different name types which are grouped according to whether they describe plants, animals, physical or man-made features. Specific themes explored include how Gaelic poets like Sorley MacLean and Duncan Bn MacIntyre used Highland landscape symbolically in their work. The lyrical tradition of the shieling and Fingalian legend is connected in this way as well. Place names are also used to speculate about species extinctions and the history of the mythical Caledonian Forest. Readers will learn about diverse aspects of place and how these have been recorded, through a deeper understanding of a language, specific to the landscape of the Scottish Highlands and unique in its perception of that landscape.

WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.