Bøger af John Spurling

This book, originally published in 1983, begins with an analysis of the patterns of Graham Greene's mind. It explores the way the patterns are modified from the political thrillers of the 1930s through the 'Catholic' novels of the 1940s and 1950s to the post-war comedies and 'Third World' novels.

"Breathtakingly successful." —Michael Dirda, Washington Post A bold and dynamic retelling of five great male-female pairings from the Greek myths: Prometheus and Pandora, Jason and Medea, Oedipus and Antigone, Achilles and Thetis, and Odysseus and Penelope.Award-winning historical novelist and playwright John Spurling draws on his lifelong love and knowledge of Classical Greek drama and poetry to reanimate five great male–female storylines from the Greek myths. The Greek myths, refined by the great poets and playwrights of ancient Greece, distil the essence of human life: its brief span, its pride, courage, and insecurity, its anxious relationship with the natural world—earth, sea, and sky, represented by powerful gods and monsters. Taking inspiration from the incomparably beautiful and intense poetry of Homer, Aeschylus, Sophocles, and Euripides, John Spurling—a lifelong classicist and an award-winning playwright—spins five myths for contemporary readers. These captivating tales center on male-female pairs—Prometheus and Pandora, Jason and the sorceress Medea, Oedipus and his daughter Antigone, Achilles and his mother Thetis, Odysseus and Penelope—who, in the course of their stories, destroyed dynasties, raised and felled heroes, and sealed the fates of men.

In this vibrant, gripping and often grisly retelling of the Greek myths, stories of murder, power, revenge, love, and traumatic family relationships are made new again for our time with wit and relish by a gifted author. Spurling has added scene, dialogue, and context, while always staying true to the spirit of the original myth.

Taking inspiration from the incomparably beautiful and intense poetry of Homer, Aeschylus, Sophocles and Euripides, Spurling - a lifelong classicist and historical novelist - spins five more myths for contemporary readers.

Winner of the Walter Scott Prize for Historical Fiction (2015), The Ten Thousand Things takes us on a journey across fated meetings, grand battles and riveting drama seamlessly fusing the epic and the intimate with the precision and depth that the real-life Wang Meng brought to his painting.

This book reveals and discusses existing and potential problems derived from the transport economics domain in relation to their environment, and the social, political and economic impacts, with reference to a wide range of transport modes. It is suitable not only for academics or students, but also for people working in the transport industry. From this book, readers will learn how to apply economic principles to transport, drawing specifically upon a number of case studies of different areas of Great Britain. This book is particularly useful for those who are interested in the subject of transport economics, but may not have studied economics, statistics or mathematics.

Tourism Matters: Study Guide to BTEC Travel and Tourism is a lively and thoroughly written text which introduces students to the main aspects of the tourism sector. The book adopts a modern approach to the subject, covering topics such as the Business of Travel and Tourism, Ecotourism, Domestic and International Destinations, Marketing Tourism Products and Services as well as preparing for employment in the tourism industry with tips and insider advice on how to secure a job.

Through the prisms of memory and art, award-winning author John Spurling reimagines the tumultuous period of the Glorious Revolution and brings to life historical figures Dryden, Vanbrugh, Swift, Pope and Lady Mary Wortley Montagu as never before.

A biography of Franz Liszt (1811-86) whose extraordinary career as a composer, conductor, and virtuoso pianist - whose incomparable skill and personal charisma dazzled audiences all over Europe, from London and Paris to Berlin, Moscow, and even Constantinople - made him the nineteenth-century equivalent of a modern international pop star.