Bøger af John Updike

Since the series' inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

In his extraordinary and highly charged new novel, John Updike tackles one of America's most burning issues the threat of Islamist terror from within. Set in contemporary New Jersey, Terrorist traces the journey of one young man, from radicalism to fundamentalism to terrorism, against the backdrop of a fraying urban landscape and an increasingly fragmented community. In beautiful prose, Updike dramatizes the logic of the fundamentalist terrorist but also suggests ways in which we can counter it, in our words and our actions . . .

John Updike's twentieth novel, like his first, The Poorhouse Fair, takes place in one day, a day that contains much conversation and some rain. The seventy-nine-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through stories from her career and many marriages, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, interviewer and subject move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time, the early spring of 2001.

DREAM OF VENUS (OR LIVING PICTURES), a novel set in the 1939 New York World's Fair, is a speculative history reanimating the last great international fair this world would ever know. Meshing actualities with invention, DREAM OF VENUS renders a future past that is nostalgic and predictive, an account of hope and longing at the onset of World War II. Focusing on Zeke Lichtenquist - -an artist moved into the Fair's Town of Tomorrow -- VENUS takes us on a search for authenticity and meaning. Franklin Roosevelt, Albert Einstein, New York Mayor Fiorello La Guardia, and the Fair's president Grover Whalen all pop in and out, players in a fabled New York of the late 1930s. Publishers Weekly compared the novel to the work of Nathaniel West, William Gaddis, and E.L. Doctorow, lauding DREAM for "challenging the distinction between fiction and fact." Book Magazine recommended DREAM OF VENUS as "a risky and ingenious experiment that makes the novel like the fairgrounds." Donald Margulies praised DREAM OF VENUS as "an impressive work of historical fiction," the author deploying "the past as a prism through which he views our present and has ironic, witty, and disturbing things to say about the particular dream life of Americans." Steve Erickson judged DREAM OF VENUS "the gateway to a secret new literature...beyond the limits of what today's constricted fiction can conceive."

"Two late masterpieces by John Updike that take on the American Century and Shakespeare's Hamlet, and a bittersweet coda to the Rabbit series: In the Beauty of the Lilies, Gertrude and Claudius, and Rabbit Remembered"--

Edward Goreys off-kilter depictions of Yuletide mayhem and John Updikes wryly jaundiced text examine a dozen Christmas traditions with a decidedly wheezy ho-ho-ho. 1. Santa: The Man. Loose-fitting nylon beard, fake optical twinkle, cheap red suit, funny rummy smell when you sit on his lap. If hes such a big shot, why is he drawing unemployment for eleven months of the year? Something scary and off-key about him, like one of those Stephen King clowns . . .

Winner of the PEN/Faulkner Award for Fiction A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. "How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms," reads the citation composed for John Updike upon his winning the 2006 Rea Award for the Short Story. "Contemplating John Updike's monumental achievement in the short story, one is moved to think of Nathaniel Hawthorne, Henry James, Ernest Hemingway, and perhaps William Faulkner-writers whose reputations would be as considerable, or nearly, if short stories had been all that they had written. From [his] remarkable early short story collections . . . through his beautifully nuanced stories of family life [and] the bittersweet humors of middle age and beyond . . . John Updike has created a body of work in the notoriously difficult form of the short story to set beside those of these distinguished American predecessors. Congratulations and heartfelt thanks are due to John Updike for having brought such pleasure and such illumination to so many readers for so many years."

"A small masterpiece . . . With Of the Farm, John Updike has achieved a sureness of touch, a suppleness of style, and a subtlety of vision that is gained by few writers of fi ction."-The New York TimesIn this short novel, Joey Robinson, a thirty-five-year-old New Yorker, describes a visit he makes, with his second wife and eleven-year-old stepson, to the Pennsylvania farm where he grew up and where his aging mother now lives alone. For three days, a quartet of voices explores the air, making confessions, seeking alignments, quarreling, pleading, and pardoning. They are not entirely alone: ghosts (fathers, lovers, children) press upon them, as do phantoms from the near future (nurses, lawyers, land developers). Of the Farm concerns the places people choose to live their lives, and the strategies they use to stand their ground.

"Trapped in their cozy catacombs, the couples have made sex by turns their toy, their glue, their trauma, their therapy, their hope, their frustration, their revenge, their narcotic, their main line of communication and their sole and pitiable shield against the awareness of death."-TimeOne of the signature novels of the American 1960s, Couples is a book that, when it debuted, scandalized the public with prose pictures of the way people live, and that today provides an engrossing epitaph to the short, happy life of the "post-Pill paradise." It chronicles the interactions of ten young married couples in a seaside New England community who make a cult of sex and of themselves. The group of acquaintances form a magical circle, complete with ritualistic games, religious substitutions, a priest (Freddy Thorne), and a scapegoat (Piet Hanema). As with most American utopias, this one's existence is brief and unsustainable, but the "imaginative quest" that inspires its creation is eternal.Praise for Couples"Couples [is] John Updike's tour de force of extramarital wanderlust."-The New York Times Book Review "Ingenious . . . If this is a dirty book, I don't see how sex can be written about at all."-Wilfrid Sheed, The New York Times Book Review

In John Updike's fourth and final novel about ex-basketball player Harry "Rabbit" Angstrom, the hero has acquired heart trouble, a Florida condo, and a second grandchild. His son, Nelson, is behaving erratically; his daughter-in-law, Pru, is sending out mixed signals; and his wife, Janice, decides in midlife to become a working girl. As, through the winter, spring, and summer of 1989, Reagan's debt-ridden, AIDS-plagued America yields to that of George Bush, Rabbit explores the bleak terrain of late middle age, looking for reasons to live. The geographical locale is divided between Brewer, in southestern Pennyslvania, and Deleon, in southwestern Florida.

Winner of the Pulitzer Prize, the Howells Medal, and the National Book Critics Circle Award In John Updike's fourth and final novel about Harry "Rabbit" Angstrom, the hero has acquired a Florida condo, a second grandchild, and a troubled, overworked heart. His son, Nelson, is behaving erratically; his daughter-in-law, Pru, is sending him mixed signals; and his wife, Janice, decides in midlife to return to the world of work. As, through the year of 1989, Reagan's debt-ridden, AIDS-plagued America yields to that of the first George Bush, Rabbit explores the bleak terrain of late middle age, looking for reasons to live and opportunities to make peace with a remorselessly accumulating past.

The third volume of Library of America's five-volume edition of Updike's novels features the continuation of the renowned Rabbit saga and two wickedly funny satires set in the charged realms of sex, politics, and family.The third volume in our five-volume selected edition of the novels of John Updike includes three books: The Coup, one of Updike's most outlandish satires, set in a fictional African nation; Rabbit Is Rich, the third, and many say best, novel starring his most famous protagonist; and the wildly popular The Witches of Eastwick, which was memorably adapted in the film starring Cher, Michelle Pfeiffer, Susan Sarandon, and Jack Nicholson. In The Coup, a surprising departure from his prior novels, Updike stages a withering take down of an array of targets, from American materialism and its baleful effects on the developing world to the follies of Cold War geopolitics and the fevered megalomania of the dictatorial mind. In Rabbit Is Rich, the third installment of the Rabbit tetralogy, we meet up with Harry Angstrom, now 46, dealing as best he can with the challenges and cares of midlife, a time when "you are carrying the world in a sense and yet it seems more out of control than ever." In The Witches of Eastwick, Updike imagines a small New England town possessed by magic-at least as practiced by the female trio at its center who, freed from the burdens of their marriages, make common cause and unleash their whimsical witchcraft on Eastwick's narrow-minded townspeople.

Library of America's definitive Updike edition continues with three masterful novels on the joys and the discontents of the sexual revolutionHere for the first time in one volume are three of John Updike's most essential novels--the scandalous Couples, the brilliant Rabbit Redux, and the uproarious A Month of Sundays--which together form an unforgettable triptych of the social turbulence that roiled America from the Kennedy to the Nixon years. Written with the grace, verve, and style of one of literature's most sophisticated entertainers, these books not only reveal Updike's genius in characterization and his formal versatility as a novelist but also delve into the complexities of sex and marriage, social class and personal morality, and the difficult quandaries of the flesh and the spirit. As a special feature the volume also presents two short pieces that shed light on the novels and the tale "Couples: A Short Story," the origin of the novel of the same name, written in 1963 but deemed unsuitable for publication by The New Yorker.

Owen Mackenzie's life story abounds with sin and seduction, domesticity and debauchery. His marriage to his college sweetheart is quickly followed by his first betrayal and he embarks upon a series of affairs. His pursuit of happiness, in a succession of small towns from Pennsylvania to Massachusetts, brings him to the edge of chaos, from which he is saved by a rescue that carries its own fatal price.