Bøger af Jonas Zdanys

This latest book by Jonas Zdanys continues his multi-volume exploration of some potentials of the lyrical-narrative voice in poetry. This volume probes the epiphanic moments revealed by the lyrical voice and the human stories celebrated by the narrative impulse, both within and surrounding moments of immediate insight. The poems in this collection reflect those dual patterns, often taking the reader beyond set expectations and moving to more chaotic frameworks made possible by surrealist and magical realist perspectives. In doing so, Zdanys continues to present the world as an unbound frame where all things can be imagined and where human experience is not limited merely to the familiar. That has been an organizing thematic principle of several of his earlier books. It finds particular reaffirmation in this volume, which speaks through vivid imagery and textured language to present the contours of the immediate world lit by the poetic imagination and what it may mean to be human in it. "Zdanys is as close to consistently revealing luminosity as anyone." World Literature Today

This is a unique anthology of epistolary poetry-poems in the form of letters. The book consists of new work by more than fifty poets from the United States, Canada, Europe, and Israel. Poetry in this collection, most written for this specific anthology, continues a tradition more than two thousand years old in the combining of letter-writing with poetry. The poets published here explore concerns that so many personal letters often express: love and loss, hope and redemption, turmoil and joy, outward exploration and introspection. The poems amount to literary envelopes that readers can open to discover lyrical language offered in the form of epistles.

This book contains poems that Jonas Zdanys published over his 50 years career as a poet.

A classic of Holocaust literature from “one of the great masters of the short novel.”—The New YorkerIn the Vilna Ghetto during World War II, Nazi Commandant Schoger demands that all children be sent to the death camp. When Abraham Lipman pleads with him to spare their lives, Schoger reconsiders, and tells Lipman there will be a chess match between himself and Lipman’s only surviving son, Isaac, a chess prodigy. If Isaac wins, the children will live, but Isaac will die. If Isaac loses, the children will die, but Isaac will live. Only a draw will save the ghetto from this terrible predicament.The chess game begins: a nightmarish contest played over the course of several evenings, witnessed by an audience impotent to act, staking the lives of their children on a stalemate. This is a moving story of a father and a son who shame their cruel perpetrator with their dignity, spirit, and extraordinary courage. Stalemate speaks to the power of humor even under the direst circumstances. As a parable that gives voice to the unspeakable, Stalemate is an antidote to despair.“Gripping . . . a truly memorable work.”—Booklist

St. Brigid's Well began on the West Coast of Ireland as Jonas Zdanys was teaching a seminar in Dingle, County Kerry, on writing the literature of place. It is a single lyrical narrative poem, composed in stanzas and sections, that considers place as a described location, as a foundation and springboard for metaphorical representations and explorations, and as a wide and flexible container filled with people and actions and things, all connected and all ever-changing. There is a fourth dimension of place at play in this poem as well, the dimension of time, which ultimately sculpts all three, pushing and pulling them across many horizons. The poem's focus on the Dingle Peninsula, past and present, the vistas along the Ring of Kerry, and the literal as well as metaphorical pilgrimage eastward to St. Brigid's Well in Kildare is linked to the figure of Brigid, who serves as a touchstone in that exploration both as Christian saint and as pagan goddess. It is Brigid, in both forms, who appears in these pages as a principal definer and texture of the Irish landscape as it has blossomed and changed - and as it has remained constant - in its physical dimensions and across the currents of time. This poem invites and deepens the understanding of that landscape and of how a "poetry of place" can also define the interior human landscape, encouraging us to understand and celebrate the world in which we live and ourselves in it.