Bøger af Jonathan Ball

An experimental novella sculpted entirely from passages from out-of-copyright novels transcribed by Project Gutenberg that were e-mailed to the author by spambots. The result is a fractured narrative in 35 chapters, with sources ranging from Stendhal to Virginia Woolf to D.H. Lawrence, including occasional interruptions by the copyright policies of Gutenberg itself.

Thinking Outside the Box tells the story of the reimagining and transformation of BBC Television Centre from a sacred site in the national psyche to a new London destination for living and working, broadcasting and entertainment

An authentic look into the United States Marine ethos as righteous men struggle through the dilemma of killing their kinsmen.

Jonathan Ball was born in Bude, Cornwall, in June 1947. After qualifying at the Architectural Association, London, he set up practice in his home town in 1974.In 1992 he was appointed MBE for Services to Architecture.In 1994 he was approached by Tim Smit with an idea to create the largest greenhouses on planet Earth to tell the story of the great plant hunters. Smit and Ball took huge personal risks as co-founders of the innovative architectural and environmental vision that became the internationally acclaimed Eden Project. Ball was removed from Eden against his will. Without due recompense he lost his architectural practice. Three high profile appearances in the Royal Courts of Justice over four years followed to save his name, his family home and his professional reputation. This is the story of one man's unflinching resolve and success in righting a public wrong, of a Cornishman looking to the glory of his nation and finding that enthusiasm, brilliant ideas and promises are not always enough.

In John Paizs's 'Crime Wave,' writer and filmmaker Jonathan Ball offers the first book-length study of this curious Canadian film.

Winner of the 2013 Aqua Books Lansdowne Prize for Poetry (Manitoba Book Awards)If Lisa Robertson were to collide with David Lynch in a dark alley, the result would be a lot like The Politics of Knives. From shattered narratives to surrealistic fantasies, the poems in The Politics of Knives bridge that gap between the conventional and the experimental, combining the intellectual with the visceral. The complicity of language in violence, and the production of stories as both a defensive and offensive gesture, trouble the stability of these poetic sequences that dwell in the borderland between speaking and screaming.She made hyphens and made me use them.From her back she pulled brackets. Saying:"e;These in your throat and these around your neck."e;Jonathan Ball teaches English, film, and writing at two universities in Winnipeg, Manitoba. He is the author of Ex Machina and Clockfire, which was shortlisted for a Manitoba Book Award.

Jonathan Ball's Clock?re is a suite of poetic blueprints for imaginary plays that would be impossible to produce - plays in which, for example, the director burns out the sun, actors murder their audience or the laws of physics are de?led. The poems in a sense replace the need for drama, and are predicated on the idea that modern theatre lacks both 'clocks' and '?re' and thus fails to offer its audiences immediate, violent engagement. They sometimes resemble the scores for Fluxus 'happenings,' but replace the casual aesthetic and DIY simplicity of Fluxus art with something more akin to the brutality of Artaud's theatre of cruelty. Italo Calvino as rewritten by H. P. Lovecraft, Ball's 'plays' break free of the constraints of reality and artistic category to revel in their own dazzling, magni?cent horror.