Bøger af Jonathan Friedman

A most excellent array of 24 close-up magic miracles, inspired by the books of the 1980's. Introduction by David Regal.

This provocative work offers an anthropological analysis of the phenomenon of political correctness, both as a general phenomenon of communication, in which associations in space and time take precedence over the content of what is communicated, and as specific critical historical conjunctures in which new elites attempt to redefine social reality.

The state is frequently conceived as a universal, although one apparently extraordinarily difficult to define. It often appears in academic discourse and, especially, in the popular imagination as an abstraction, usually nebulous, grasped as pervasive - a spectre to be feared. In this book, distinguished scholars from around the world take issue with this purported universality, exploring alternative imaginings of the state, of power and of global processes at the margins.Taking an anthropological perspective based in diverse ethnographic contexts outside, or marginal to, Europe and North America, if not beyond their controlling influence in globalizing realities, this volume reveals different complexes of power, as well as processes that are external to power and often against it (contra Foucault, and as Pierre Clastres has famously argued).The authors stress not only the different structures of institutional power, but also the persistence or transmutation of local kinds of power and their relevant cosmologies into contemporary globalized settings. They find innovative kinds of modernity, reconfigurations that have effects that cannot be reduced to over-generalized and often intenselyEurocentric concepts of power and the kinds of subjectivities realized by them. In this, the volume opens up the diversity of experiences of the state and offers new directions for its study.

The Lion and the Star not only offers an informed glimpse into the intricacies of daily German life but also confirms the continuing danger of making sweeping generalizations about German Jews and non-Jews.

This new edition contains the full text of the original volume along with two related articles by the author and a new introduction. This work is suitable for advanced students and academics in anthropology.

The organization 'Genocide Watch' estimates that 100 million civilians around the globe have lost their lives as a result of genocide in only the past sixty years. Over the same period, the visual arts in the form of documentary footage has aided international efforts to document genocide and prosecute those responsible, but this book argues that fictional representation occupies an equally important and problematic place in the process of shaping minds on the subject. Edited by two of the leading experts in the field, The History of Genocide in Cinema analyzes fictional and semi-fictional portrayals of genocide, focusing on, amongst others, the repression of indigenous populations in Australia, the genocide of Native Americans in the 19th century, the Herero genocide, Armenia, the Holodomor (Stalin's policy of starvation in Ukraine), the Nazi Holocaust, Nanking and Darfur. Comprehensive and unique in its focus on fiction films, as opposed to documentaries, The History of Genocide in Cinema is an essential resource for students and researchers in the fields of cultural history, holocaust studies and the history of film.

A study of hegeomy and the world-system from the premodern to the present. Contributors include Thomas Reifer and Giovanni Arrighi.

This study is an attempt to locate the practice of consumption within more general strategies of social self-definition. The essays in this volume are addressed to the understanding of consumption in terms of a larger matrix of social identity and the cultural strategies connected with it.

`Friedman has produced a book of importance.... It features many tantalizing insights and observations in the author's attempt to comprehend the global constitution of the world and the "positional identities" - not least the identities of social scientists - within the global arena' - Theory, Culture & Society