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Jonathan Sterne offers a sweeping cultural study and theorization of impairment, in which experience is understood from the standpoint of a subject that is not fully able to account for itself.
Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Suitable for those in cultural studies, media and communication studies, the musicology, and the history of technology, this book explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and transmission devices so ubiquitous in modern life.
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