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  • - New Complete Edition
    af Josef Albers
    167,95 - 2.182,95 kr.

    One of the most influential books on colour ever published, Josef Albers' "Interaction of Color" is a masterwork. This book replicates Albers' revolutionary exercises, explaining concepts such as colour relativity and vibrating and vanishing boundaries through the use of colour, shape, die-cut forms, and movable flaps.

  • af Josef Albers
    238,95 - 359,95 kr.

    In "Poems and Drawings," first published in 1958, Josef Albers attempted to penetrate the meaning of art and life by the simplest, most disciplined means. This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author's insights into nature, art, and life. Conceived as a kind of artist's book, the publication features 22 of Albers's refined line drawings alongside the same number of his original poems--each appearing in both English and German.Printed initially in a limited edition and long out of print, this new edition of "Poems and Drawings" replicates Albers's original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers's personal relationships, along with a new introduction by Nicholas Fox Weber.For admirers of Albers, "Poems and Drawings" will provide a closer look at a celebrated artist who was also an affectionate and articulate writer.

  • af Josef Albers
    394,95 kr.

    An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. Rarely seen together, the artworks of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best … I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.

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