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Essayist and poet Joseph Brodsky was one of the most penetrating voices of the twentieth century. This prize-winning collection of his diverse essays includes uniquely powerful appreciations of great writers: on Dostoevsky and the development of Russian prose, on Auden and Akhmatova, Cavafy, Montale and Mandelstam. These are contrasted with his reflections on larger themes of tyranny and evil, and subtle evocations of his childhood in Leningrad. Brodsky's insightful appreciation of the intricacies of language, culture and identity connect these works, revealing his remarkable gifts as a prose writer.
The poems of the legendary Nobel Laureate, in one volume at last One of the greatest and grandest advocates of the literary vocation, Joseph Brodsky truly lived his life as a poet, and for it earned eighteen months in an Arctic labor camp, expulsion from his native country, and the Nobel Prize in Literature. Such were one man''s wages. Here, collected for the first time, are all the poems he published in English, from his earliest collaborations with Derek Walcott, Richard Wilbur, Howard Moss, and Anthony Hecht to the moving farewell poems he wrote near the end of his life. With nearly two hundred poems, several of them never before published in book form, this will be the essential volume of Brodsky''s work.
'Reading Brodsky's essays is like a conversation with an immensely erudite, hugely entertaining and witty (and often very funny) interlocutor' Wall Street JournalWatermark is Joseph Brodsky's witty, intelligent, moving and elegant portrait of Venice. Looking at every aspect of the city, from its waterways, streets and architecture to its food, politics and people, Brodsky captures its magnificence and beauty, and recalls his own memories of the place he called home for many winters, as he remembers friends, lovers and enemies he has encountered. Above all, he reflects with great poetic force on how the rising tide of time affects city and inhabitants alike. Watermark is an unforgettable piece of writing, and a wonderful evocation of a remarkable, unique city. Winner of the Nobel Prize for Literature
In this richly diverse collection of essays, Joseph Brodsky casts a reflective eye on his experiences of early life in Russia and exile in America. With dazzling erudition, he explores subjects as varied as the dynamic of poetry, the nature of history and the plight of the migr writer. There is also the humorous tale of a disastrous trip to Brazil, advice to students, a homage to Marcus Aurelius and studies of Robert Frost, Thomas Hardy, Horace and others. The second volume of essays following Less Than One, this collection includes Brodsky's 1987 Nobel Lecture, 'Uncommon Visage'.
This collection of essays thrusts Joseph Brodsky-previously known more for his poetry and translations-into the forefront of the "Third Wave" of Russian émigré writers. Originally published the year before Brodsky received the Nobel Prize in Literature, Less Than One includes intimate literary essays and autobiographical pieces that evoke the daily discomfort of living under tyranny. His insights into the works of Dostoevsky, Mandelstam, and Platonov, as well as the non-Russian poets Auden, Cavafy and Montale are brilliant; Seamus Heaney said of Brodsky's treatment of one of Auden's most famous poems, "There will be no greater paean to poetry as the breath and finer spirit of all human knowledge than Brodsky's line-by-line commentary on 'September 1, 1939.'"Less than One, which won a National Book Critics Circle Award, was Brodsky's first published work of prose, and "if there's an essential essay collection . . . it's this one" (The Guardian). This edition, reissued to mark Brodsky's eightieth birthday, allows the reader to delve into the Nobel laureate's mastery of language, through both his analysis of great works and his own brand of descriptive dissent, at a pivotal point in his career.
Joseph Brodsky's last volume of poems in English, So Forth, represents eight years of masterful self-translation from the Russian, as well as a substantial body of work written directly in English."Nobel laureate Brodsky completed work on this sobering and brilliant collection just a week before his death ...." Brodsky's death is a loss to literature; his final collection of poems is the best consolation we could ask for." - Publishers Weekly
Three of our generation's greatest poets explore the misconceptions and mythologies that surround Robert Frost.
A Platonic dialogue in the form of a double anachronism--the action takes place two centuries after our era--Joseph Brodsky's only play, Marbles, is set in a prison cell that alone provides for the three unities of classic drama: those of time, place, and action. A nightmare rather than a utopia, this play proceeds according to the immanent logic of mental aggravation as its two characters, the inmates Publius and Tullius, examine the tautology of their psychological, historical, and purely physical confines. The fusion of its dour, somewhat terrifying vision with the macabre hilarity of its verbal texture allows Marbles to take its audience beyond the farthest reaches of the theatre of the absurd, into territory more suitable for modernist imagination than for human experience.
A Part of Speech contains poems from the years 1965-1978, translated by various hands."Like the Auden who was, no less than Lowell, his champion, Brodsky is a master of traditional forms." - The New York Times Book Review
In this brief, intense, gemlike book, equal parts extended autobiographical essay and prose poem, Joseph Brodsky turns his eye to the seductive and enigmatic city of Venice. A mosaic of forty-eight short chapters-each recalling a specific episode from one of his many visits there (Brodsky spent his winters in Venice for nearly twenty years)-Watermark associatively and brilliantly evokes one city's architectural and atmospheric character. Brodsky writes in Watermark that water "stores our reflections for when we are long gone." This reissued edition of one of Brodsky's most important titles, on the occasion of the late Nobel laureate's eightieth birthday, allows the reader to visit the canals of Brodsky's Venice and rediscover the reflection of the writer himself.
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