Bøger af Joyce Carol Oates

Finally returned to print, Joyce Carol Oates's lost classic: the satirical, often surreal, and beautifully plotted Gothic romance that follows the exploits of the audacious Zinn sisters, whose nineteenth-century pursuit of adventurous lives turns a lens on contemporary American culture When their sister is plucked from the shores of the Bloodsmoor River by an eerie black-silk hot air balloon that sails in through a clear blue sky, the lives of the already extraordinary Zinn sisters are radically altered. The monstrous tragedy splinters the family, who must not only grapple with the mysterious and shameful loss of their sister and daughter but also seek their way forward in the dawn of a new era?one that includes time machines, the spirit world, and the quest for women's independence.Breathlessly narrated in the Victorian style by an unnamed narrator who is herself shocked and disgusted by the Zinn sisters' sexuality, impulsivity, and rude rejection of the mores of the time, the novel is a delicious filigree of literary conventions, "a novel of manners" in the tradition of Austen, Dickens, and Alcott, which Oates turns on its head. Years ahead of its time, A Bloodsmoor Romance touches on murder and mayhem, ghosts and abductions, substance abuse and gender identity, women's suffrage, the American spiritualist movement, and sexual aberration, as the Zinn sisters come into contact with some of the nineteenth century's greatest characters, from Mark Twain to Oscar Wilde.Pure Oates in its mordant wit, biting assessment of the American landscape, and virtuosic transformation of a literary genre we thought we knew, A Bloodsmoor Romance is a compelling, hilarious, and magical antiromance, a Little Women wickedly recast for the present day.

"Marilyn Monroe era puro fuego, sexualidad a flor de piel, romances turbulentos, pero tambiâen era una mujer frâagil, asustada y repleta de inseguridades que buscaba en otros --en el Ex Deportista, en el Dramaturgo o en el Presidente-- ese amor que ella misma se negaba. Una artista superdotada cargada de conflictos, temores y pasiones desatadas; una niäna que no dejâo de huir hacia delante y que llegâo a burlar a la propia muerte para convertirse en leyenda. Tras una exhaustiva documentaciâon, Joyce Carol Oates redibuja la vida interior de Norma Jeane Baker --la pequeäna sin padre, la mujer dependiente de tranquilizantes y estimulantes, la actriz y amante malograda-- y a su 'Amiga Mâagica del Espejo', la rubia idolatrada a la que el mundo llegâo a conocer como Marilyn Monroe."--Provided by publisher.

In 1965, neuroscientist Margot Sharpe meets Elihu Hoopes: the ?man without a shadow,? who will be known, in time, as the most-studied and most famous amnesiac in history. A vicious infection has clouded anything beyond the last seventy seconds just beyond the fog of memory.Over the course of thirty years, the two embark on mirrored journeys of self-discovery: Margot, enthralled by her charming, mysterious, and deeply lonely patient, as well as her officious supervisor, attempts to unlock Eli's shuttered memories of a childhood trauma without losing her own sense of self in the process. Made vivid by Oates' usual eye for detail, and searing insight into the human psyche, The Man Without a Shadow is eerie, ambitious, and structurally complex, unique among her novels for its intimate portrayal of a forbidden relationship that can never be publicly revealed.

One of the most acclaimed writers in the world today, the inimitable Joyce Carol Oates follows up her searing, New York Times bestselling memoir, A Widow's Story, with an extraordinary new work of fiction. Mudwoman is a riveting psychological thriller, taut with dark suspense, that explores the high price of repression in the life of a respected university president teetering on the precipice of a nervous breakdown. Like Daphne DuMaurier's gothic masterwork, Rebecca, and the classic ghost story, The Turn of the Screw, by Henry James, Oates's Mudwoman is a chilling page-turner that hinges on the power of the imagination and the blurry lines between the real and the invented--and it stands tall among the author's most powerful and beloved works, including The Falls, The Gravedigger's Daughter, and We Were the Mulvaneys.

Oates is just a fearless writerwith her brave heart and her impossibly lush and dead-on imaginative powers.Los Angeles Times[An] extraordinarily intense, racking, and resonant novel.Booklist (starred review)One of the most acclaimed writers in the world today, the inimitable Joyce Carol Oates follows up her searing, New York Times bestselling memoir, A Widows Story, with an extraordinary new work of fiction. Mudwoman is a riveting psychological thriller, taut with dark suspense, that explores the high price of repression in the life of a respected university president teetering on the precipice of a nervous breakdown. Like Daphne DuMauriers gothic masterwork, Rebecca, and the classic ghost story, The Turn of the Screw, by Henry James, Oatess Mudwoman is a chilling page-turner that hinges on the power of the imagination and the blurry lines between the real and the inventedand it stands tall among the authors most powerful and beloved works, including The Falls, The Gravediggers Daughter, and We Were the Mulvaneys.

Sixteen-year-old Katya Spivak is out for a walk on the gracious streets of Bayhead Harbor with her two summer babysitting charges when she's approached by silver-haired, elegant Marcus Kidder. At first his interest in her seems harmless, even pleasant; like his name, a sort of gentle joke. His beautiful home, the children's books he's written, his classical music, the marvelous art in his study, his lavish presents to her ? Mr. Kidder's life couldn't be more different from Katya's drab working-class existence back home in South Jersey, or more enticing. But by degrees, almost imperceptibly, something changes, and posing for Mr. Kidder's new painting isn't the lighthearted endeavor it once was. What does he really want from her? And how far will he go to get it? In the tradition of Oates's classic story "Where Are You Going, Where Have You Been?" A Fair Maiden is an unsettling, ambiguous tale of desire and control.

A searing exploration of the mysterious conjunction of erotic romance and tragic violence in late-twentieth-century America, Little Bird of Heaven returns to the emotional and geographical terrain of acclaimed author Joyce Carol Oates's previous bestsellers We Were the Mulvaneys and The Gravedigger's Daughter.When young wife and mother Zoe Kruller is found brutally murdered, the police target two suspects: her estranged husband, Delray Kruller, and her longtime lover, Eddy Diehl. In turn, the Krullers' son, Aaron, and Diehl's daughter, Krista, become obsessed with each other, each believing the other's father guilty. By novel's end, the fated lovers are at last ready to exorcise the ghosts of the past and come to terms with their legacy of guilt, misplaced love, and redemptive yearning.Told in halves in the very different voices of Krista and Aaron, Little Bird of Heaven is classic Oates--where the lyricism of intense sexual love is intertwined with the anguish of loss, and tenderness is barely distinguishable from cruelty.

Joyce Carol Oates returns with a dark, romantic, and captivating tale, set in the Great Lakes region of upstate New York?the territory of her remarkably successful New York Times bestseller The Gravedigger's Daughter.Set in the mythical small city of Sparta, New York, this searing, vividly rendered exploration of the mysterious conjunction of erotic romance and tragic violence in late-twentieth-century America returns to the emotional and geographical terrain of acclaimed author Joyce Carol Oates's previous bestsellers We Were the Mulvaneys and The Gravedigger's Daughter.When a young wife and mother named Zoe Kruller is found brutally murdered, the Sparta police target two primary suspects, her estranged husband, Delray Kruller, and her longtime lover, Eddy Diehl. In turn, the Krullers' son, Aaron, and Eddy Diehl's daughter, Krista, become obsessed with each other, each believing the other's father is guilty. Told in halves in the very different voices of Krista and Aaron, Little Bird of Heaven is a classic Oates novel in which the lyricism of intense sexual love is intertwined with the anguish of loss, and tenderness is barely distinguishable from cruelty. By the novel's end, the fated lovers, meeting again as adults, are at last ready to exorcise the ghosts of the past and come to terms with their legacy of guilt, misplaced love, and redemptive yearning.

Meet Quentin P. He is a problem for his professor father and his loving mother, though of course they do not believe the charge of sexual molestation of a minor that got him in that bit of trouble.He is a challenge for his court-appointed psychiatrist, who nonetheless is encouraged by the increasingly affirmative quality of his dreams and his openness in discussing them.He is a thoroughly sweet young man for his wealthy grandmother, who gives him more and more, and can deny him less and less.He is the most believable and thoroughly terrifying sexual psychopath and killer ever to be brought to life in fiction, as Joyce Carol Oates achieves her boldest and most brilliant triumph yet--a dazzling work of art that extends the borders of the novel into the darkest heart of the truth.

It is 1950 and, after a disastrous honeymoon night, Ariah Erskine's young husband throws himself into the roaring waters of Niagara Falls. Ariah, "the Widow Bride of the Falls," begins a relentless seven-day vigil in the mist, waiting for his body to be found. At her side is confirmed bachelor and pillar of the community Dirk Burnaby, who is unexpectedly drawn to this plain, strange woman. What follows is a passionate love affair, marriage, and family--a seemingly perfect existence. But the tragedy by which they were thrown together begins to shadow them, damaging their idyll with distrust, greed, and even murder.Set against the mythic-historic backdrop of Niagara Falls in the mid-twentieth century, this haunting exploration of the American family in crisis is a stunning achievement from "one of the great artistic forces of our time" (The Nation).

Fleeing Nazi Germany in 1936, the Schwarts immigrate to a small town in upstate New York. Here the father--a former high school teacher--is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace--on the road to a bittersweet and distinctly "American" triumph.

In 1975 Genna Hewett-Meade's college roommate died a mysterious, violent death partway through their freshman year. Minette Swift had been assertive, fiercely individualistic, and one of the few black girls at their exclusive, "enlightened" college--and Genna, daughter of a prominent civil defense lawyer, felt duty-bound to protect her at all costs. But fifteen years later, while reconstructing Minette's tragic death, Genna is forced to painfully confront her own past life and identity...and her deepest beliefs about social obligation in a morally gray world. Black Girl / White Girl is a searing double portrait of race and civil rights in post-Vietnam America, captured by one of the most important literary voices of our time.

A young wife is home alone when the phone rings in ?So Help Me God.? Is the strange voice flirting with her from the other end of the line her jealous husband laying a trap, or a stranger who knows entirely too much about her? In ?Madison at Guignol? an unhappy fashionista discovers a secret door inside her favorite clothing store and insists the staff let her enter. But even her fevered imagination cannot anticipate the horror they have been hiding from her. In these and other gripping and disturbing tales, women are confronted by the evil around them and surprised by the evil they find within themselves.With wicked insight, Joyce Carol Oates demonstrates why the females of the species?be they six-year-old girls, seemingly devoted wives, or aging mothers?are by nature more deadly than the males.

Celebrated author Joshua Seigl, an idiosyncratic bachelor and confirmed recluse--young but in failing health--reluctantly admits to himself that he must hire a live-in assistant to help him with his increasingly complicated professional and personal affairs. Then one day at the bookstore he encounters Alma, a young woman covered with bizarre tattoos, who stirs something inside him. Unaware of her torturous past--the abuses she's suffered, the wrongs she's committed, the virulent hatred that seethes within her--Seigl decides that she is the one, and he has no idea that he is bringing an enemy into his home.With her unique, masterful balance of dark suspense and surprising tenderness, Joyce Carol Oates probes the tragedy of ethnic hatred and challenges the accepted limits of desire.

Nikki Eaton, single, thirty-one, sexually liberated, and economically self-supporting, has never particularly thought of herself as a daughter. Yet, following the unexpected loss of her mother, she undergoes a remarkable transformation during a tumultuous year that brings stunning horror, sorrow, illumination, wisdom, and even—from an unexpected source—a nurturing love.

Uncensored: Views & (Re)views is Joyce Carol Oates's most candid gathering of prose pieces since (Woman) Writer: Occasions & Opportunities. Her ninth book of nonfiction, it brings together thirty-eight diverse and provocative pieces from the New York Review of Books, the Times Literary Supplement, and the New York Times Book Review.Oates states in her preface, "In the essay or review, the dynamic of storytelling is hidden but not absent," and indeed, the voice of these "conversations" echoes the voice of her fiction in its dramatic directness, ethical perspective, and willingness to engage the reader in making critical judgments. Under the heading "Not a Nice Person," such controversial figures as Sylvia Plath, Patricia Highsmith, and Muriel Spark are considered without sentimentality or hyperbole; under "Our Contemporaries, Ourselves," such diversely talented figures as William Trevor, E. L. Doctorow, Kazuo Ishiguro, Michael Connelly, Alice Sebold, Mary Karr, Anne Tyler, and Ann Patchett are examined. In sections of "homages" and "revisits," Oates writes with enthusiasm and clarity of such cultural icons as Emily Brontë, Ernest Hemingway, Carson McCullers, Robert Lowell, Balthus, and Muhammad Ali ("The Greatest"); after a lapse of decades, she (re)considers the first film version of Bram Stoker's Dracula, and Americana, Don DeLillo's first novel, as well as the morality of selling private letters and the nostalgic significance of making a pilgrimage to Henry David Thoreau's Walden Pond.Through these balanced and illuminating essays we see Oates at the top of her form, engaged with forebears and contemporaries, providing clues to her own creative process: "For prose is a kind of music: music creates 'mood.' What is argued on the surface may be but ripples rising from a deeper, subtextual urgency."

"Later, I would think of it as crossing over. From a known territory into an unknown. From a place where people know you to a place where people only think they know you." Sometimes Franky Pierson has a hard time dealing with life. Like when her parents separate and her mother vanishes, Franky wants to believe that her mom has simply pulled a disappearing act. Yet deep within herself, a secret part of her she calls Freaky Green Eyes knows that something is terribly wrong. And only Freaky can open Franky's eyes to the truth.

A victim of gang rape and left for dead, the once vital and sexy Teena Maguire can now only regret that she has survived. At a relentless, compelling pace, the National Book Award winner unfolds the story of Teena and Bethie, their assailants, and their unexpected, silent champion, a man who knows the meaning of justice--and love.

"Anellia" is a young student who, though gifted with a penetrating intelligence, is drastically inclined to obsession. Funny, mordant, and compulsive, she falls passionately in love with a brilliant yet elusive black philosophy student. But she is tested most severely by a figure out of her past she'd long believed dead.Astonishingly intimate and unsparing, and pitiless in exposing the follies of the time, I'll Take You There is a dramatic revelation of the risks--and curious rewards--of the obsessive personality as well as a testament to the stubborn strength of a certain type of contemporary female intellectual.

In Salthill-on-Hudson, a half-hour train ride from Manhattan, everyone is rich, beautiful, and -- though they look much younger -- middle-aged. But when Adam Berendt, a charismatic, mysterious sculptor, dies suddenly in a brash act of heroism, shock waves rock the town. But who was Adam Berendt? Was he in fact a hero, or someone more flawed and human?

In this collection of twenty-one unforgettable stories, Joyce Carol Oates explores the mysterious private lives of men and women with vivid, unsparing precision and sympathy. By turns interlocutor and interpreter, magician and realist, she dissects the psyches of ordinary people and their potential for good and evil with chilling understatement and lasting power.

The stories in this volume are literary snapshots from Isabel Allende, Margaret Atwood, Mary Gordon, Jamaica Kincaid, Gloria Naylor, Alice Walker, and Joyce Carol Oates, among others. All seventeen stories deal with a single, central, and vital theme: the relationship of mothers to daughters and daughters to mothers, and it is the interplay of this dynamic that provides the focus of these wonderfully felt and beautifully told stories. The permutations and variations on this theme are marvelously intricate and diverse: the loss of a mother to madness; the loss of a daughter to drugs; the mother who feels she has sacrificed her life to an ungrateful child; the daughter who finally sees her mother as a person in her own right. They all, in the words of Janet Berliner, ¿present motherhood in microcosm and affirm the truth that, while we do not all like being daughters or like our mothers, women are inextricably bonded by something that neither ethnicity nor age nor stage of life can remove. Thus, those of us who call ourselves writers inevitably turn to exploring, in words, the mother-daughter relationship.¿