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Kajri Jain examines how the monumental statues erected in India following its economic reforms in the 1990s became a favored religious and political form with which to assert cultural, political, religious, and caste power.
Calendar art appears in all manner of contexts in India: in chic elite living rooms, middle-class kitchens, urban slums, and village huts. This book examines the power that calendar art wields in Indian mass culture, arguing that its meanings derive as much from the production and circulation of the images as from their visual features.
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