Bøger af Karen An-hwei Lee

A collection of poems that blesses the reader with a spirit of hope, solace, and inspiration in their own seasons of adversity. The Beautiful Immunity asks how we create good in an imperfect world of fallible souls. Spare and formally daring, these poems were refined through the catastrophes of wildfires, recession, and a major public health crisis through the hope of a beautiful immunity--an everlasting salve for the lost. This slender volume reads as the culmination of more than a decade's worth of labor, documenting large-scale social, cultural, and political upheavals, as well as the moment when the word "anthropause" floated indelibly into the world's vocabulary.

Conversant in critical and creative modes of thought, this book examines the uses of translation in Asian and Anglophone literatures to bridge discontinuous subjectivities in Eurasian transnational identities and translingual hybridizations of literary Modernism. Anglophone Literatures in the Asian Diaspora: Literary Transnationalism and Translingual Migrations focuses on the roles of mysticism and language in Dict e's poetic deconstruction of empire, engaging metaphysical issues salient in the history of translation studies to describe how Theresa Cha and four other authors Sui Sin Far, Chuang Hua, Kazuo Ishiguro, and Virginia Woolf used figurative and actual translations to bridge discontinuous subjectivities. The author Karen Lee s explorations of linguistic politics and poetics in this eclectic group of writers concentrates on the play of innovative language deployed to negotiate divided or multiple consciousness. Over the past decade, emerging scholarship on transnationalism and writers of Asian heritage has focused primarily on diasporic Asian literary production on American soil. For instance, Rachel Lee s seminal publication, The Americas of Asian American Literature: Gendered Fictions of Nation and Transnation (1999), examines how Asian American feminist literary criticism is shaped by global-local influences in the United States. Additionally, Transnational Asian American Literature: Sites and Transits (2006), edited by Shirley Lim, et al., explores the transnational aspects of Asian literature in America, analyzing a discursive globalized imaginary as American writers Asian of heritage move within and across national boundaries. Following Lim s anthology, Lan Dong s Transnationalism and the Asian American Heroine (2010) concerns the representations of women transposed from Asian oral traditions of women warriors to the United States. However, less scholarship on the Anglophone literatures of Asia and the Americas has focused on Asian writers within broader comparative frameworks of global perspectives outside Asian American literature and in comparison to Asian British literature, or aside from the parameters of specific Asia-to-America tropes such as the aforementioned woman warrior, as in Sheng-mei Ma s Immigrant Subjectivities in Asian American and Asian Diaspora Literatures (1998), or Kandice Chuh and Karen Shimakawa s Orientations: Mapping Studies in the Asian Diaspora (2001). Uniquely situated among these discussions, Lee s book extends current lines of inquiry by including the oeuvres of diasporic Asian writers in Asia, America, and abroad, presenting their works within the contexts of transnationalism via the dual lenses of translation and translingual migration. As new scholarship, this book foregrounds literary transnationalism and translingual migrations in a context of East to West as a study of representative Anglophone literatures in the Asian diaspora. Anglophone Literatures in the Asian Diaspora: Literary Transnationalism and Translingual Migrations is highly relevant to university teaching audiences in postcolonial literature, Asian American studies, Anglophone writers of the Asian diaspora, cultural feminism, Eurasian studies, and translation studies.

A collection of visions shared across cyberspace, Souvenirs, a collaboration between authors Andrew Colarusso and Karen An-hwei Lee, celebrates fragments from the literary afterlife. In Souvenirs, a philosophically astute, poetically searing collection of miniature fictions and contemporary fables, objects take on shapes of their own designs creating a composite map to a world populated with little transparent souls and ghost ships in lost bottles; a menagerie of curios; photophores of bioluminescence humming in the depths: light begetting light, deep calling to deep. In these twenty-seven prose gems, it seems that Colarusso and Lee are writing from a single mind as they strike a balance between humor and philosophy; the acute and the everlasting. The ideas they discuss¿religion, faith, universality, continuance¿are large, but their prose is accessible, and at times outright hilarious. Strange, compelling, and arcane considerations of watches, jade, seaweed, and cake, among many other items, come through with stylistic prowess and earnest, intelligent considerations. Souvenirs adds complexity to the mundane, re-centers the iconic, and gifts the reader with nothing short of astonishment; wonder baked into each delicious slice.

"Karen An-hwei Lee's third book is a beautiful and sustained meditation on the impermanence of humanity's essential components: memory, spirituality, emotion, thought....Contemplative and linguistically sophisticated,Phyla of Joy is simply exquisite -'ink and stanza / flow like wind on grass.'" - Rigoberto GonzálezThere's an undeniable audacity in a poet using the word "joy" in our beleaguered world. In her new book, Karen An-hwei Lee combines scientific precision and an appetite for far-flung vocabularies with a fascination for the sources of rapturous emotion.In poems that roam from the intimacy of prayer to the art of brewing tea, from bamboo-related famine to quasars, the globe's minor seas, and the nuptial flight of ants, Phyla of Joy reaches toward ecstasy.