Bøger af Karen Brennan

"Set in an unnamed city in Mexico, these nineteen stories in award-winning author Karen Brennan's latest collection, Rabbit in the Moon, reveal startling truths surrounding the varied expat and native inhabitants of a city distinguished by wide class divides, as well as a rich racial and cultural diversity. In her lyrical and naturalistic style, lush with sensual details of this south of the border retreat, Brennan instills deep empathy to the array of characters with whom she populates her stories; whether expats, artists, street hustlers, faded beauty queens, revolutionaries or wide-eyed tourists, all are imbued with a rich humanity as they strive to recoup their losses and shattered selves. At a time when so many are looking for an escape to a remote tropical haven, these at times humorous, at times heartbreaking, and always riveting tales in Rabbit in the Moon will resonate with readers everywhere"--

This book provides the first comprehensive and detailed analysis of the Infanticide Act and its impact in England and Wales and around the world.It is 100 years since an Infanticide Act was first passed in England and Wales. The statute, re-enacted in 1938, allows for leniency to be given to women who kill their infants within the first year of life. This legislation is unique and controversial: it creates a specific offence and defence that is available only to women who kill their biological infants. Men and other carers are not able to avail of the special mitigation provided by the Act, nor are women who kill older children.The collection brings together leading experts in the field to offer important insights into the history of the law, how it works today, the impact and legacy of the statute and potential futures of infanticide laws around the world.Contributors consider the Act in practice in England and Wales, the ways it has been portrayed in the British media and justifications for and criticisms of the provision of special treatment for women who kill their infants within a year of birth.It also looks at the criminal justice responses to infanticide in other jurisdictions, such as Australia, Ireland, Sweden and the United States of America.

Television, a memoir is a hybrid collection of autobiographical pieces, tragi-comic in spirit, that depict a woman's life evolving through time and culture in fragmentary glimpses. Indeterminate in genre, Television is a fluid text that sometimes reads as poetry, sometimes as prose, while exploring classism, ableism, and feminism in a world defined by the advent of new media and, for the author, a privilege that often felt suffocating. Working structurally and thematically, television creates conceptual mileposts in the memoir, with certain programs and cultural references corresponding to specific eras in the author's past, but it also gestures at an existential modality -- the experience of a televisual life, the performative arrangements of nuclear families and neighborhoods, the periodic events and dramas of an adolescence watched from outside oneself.

The call came at 6 A.M. Karen Brennan's twenty-five-year-old daughter, Rachel, had been in a motorcycle accident. She was in a coma. Her CAT scan, the neurosurgeon said, was very, very ugly. Instantly, Karen Brennan's life of comfortable dailiness becomes "passionate necessary-ness." Cautioned that her daughter will not be the "same person," Brennan waits and hopes through weeks of intensive care, months of coma, and Rachel's determined efforts to walk again. The joy of Rachel's first words is followed by the discovery that she has a severe short-term memory deficit. Rachel cannot remember or fashion a simple narrative. A professor with a special interest in memory, Brennan takes up the challenge of helping Rachel rebuild herself. Jump-starting her daughter's memory by constantly retelling Rachel's own story, Brennan also fosters the creativity and humor that have always characterized her daughter. Their collaborative effort, bound by love, is a dynamic memoir of recovery and reinvention. Brennan says, "Why am I writing this story? I ask myself. I am writing to discover the situation in which my daughter and I find ourselves. I am writing as a way of grieving, because writing is the only way I know how to work out my loss. And I think if I can construct the story of Rachel's recovery, it might deliver me once and for all to hopefulness." "Being with Rachel is for readers who want to be reminded of why books matter. Karen Brennan's memoir advocates, illustrates, demonstrates the superhuman power of family, its ability to triumph in the face of worst-case scenarios, institutional aloofness, bad luck, and the evil influence of conventional wisdom. The family that emerges here is one built on a great deal of passionate, difficult love. This is a tough and inspiring and heartbreaking book."-Antonya Nelson "Spare, understated, emotionally honest and yet unsentimental, this beautifully crafted memoir succeeds on two levels: both as an extraordinarily moving personal document and as a vital investigation into the nature of memory and narrative."-Andrea Barrett