Bøger af Karen Hofmann

In the third and final novel in the Lund sibling series, Where We Live continues the story of four siblings, separated in childhood, reunited and now middle-aged, as they navigate urban Vancouver life, work, relationships, and parenting in the late 2010s. With their familial bond shaped by their divergent adult experiences as well as their shared early childhood in a rural West Coast community, the lives of these siblings cross, separate, and rejoin yet again, in paths informed by nature and by nurture. Subject to the pressures of their environment and remembered or forgotten family history each sibling struggles to realize their aspirations in their search for a true home.

Includes Author-Curated Discussion Questions!The reunited Lund siblings, separated as children by Social Services, find that family, whether held together by blood or by choice, can be both a curse and a blessing, an obstacle and a point of connection.Set in Vancouver during the economically turbulent year of 2008, A Brief View from the Coastal Suite explores the Lunds' differing values in respect to relationships, money, and environment - all markers for a materialistic society that is becoming increasingly inhospitable. Cleo struggles to find time for her challenging job as an architectural designer and for the demands of her family; Mandalay, an artist and single parent, tries to raise her twin sons uncontaminated by the materialistic values of their lawyer father; and Cliff attempts to run a landscape company with his spoiled younger brother, Ben, and to accommodate the ever-increasing demands of his Estonian mail-order bride.Karen Hofmann's brilliant sequel to her novel What is Going to Happen Next skillfully explores societal attitudes and the instability of personal and public lives in a world that values money above all else.

>Third Place in the Prose Category at the 2019 Alcuin Society Awards for Excellence in Book Design in Canada! All Lit Up Book Club SelectionIn this provocative collection of short stories, Karen Hofmann creates characters who struggle to connect or disconnect from entanglements and relationships. With ironic accuracy and sensuous imagery, Hofmann considers a range of human foibles: a newlywed couple who transform into feral beasts during the hardships of a remote research expedition; backbiting faculty members who strip down during a post-conference BBQ; an heretical nun who explores the possibility of a new life by imaginatively excavating the fossils of BC's Burgess Shale; and an ambitious bylaw officer determined to make her mark on the city's streets.In Echolocation, Karen Hofmann has found new ways to sound the depths of the human heart.

Karen Hofmanns empathetic and cathartic novel pieces together the lives of five members of the Lund family following their enforced dispersal after the death of the father and the hospitalisation of the mother in the remote West Coast community of Butterfly Lake. It explores their self-doubts and aspirations in the ways they cope with their separation and reunion through their work and personal relationships, and reveals the ways in which their past is filtered through memory and desire. It also skillfully exposes a Vancouver class system from the perspectives of diverse socio-economic conditions and lifestyles. The book is character-driven and well-wrought, with a tenderness that propels the reader forward alongside the Lunds who are learning to fuse together as a chosen family.

Having escaped the place in her youth, retired professor Sidonie von Täler returns to her ancestral Okanagan valley orchards still very much in the shadow of her deceased older sister Alice. As she sifts through the detritus of her family history, Sidonie is haunted by memories of trauma and triumph in equal measure, and must reconcile past and present while reconnecting with the people she left behind. Karen Hofmann's debut novel blends a poetic sensibility with issues of land stewardship, social stratification and colonialism. Her eye for period detail and characterisation is reminiscent of Margaret Atwood's The Blind Assassin or Margaret Laurence's The Stone Angel, while her lyrical realisation of bygone B.C. pastoralia recalls the work of George Bowering.