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Philadelphia, 1844. As violent tensions escalate between nativists and recent Irish immigrants, Edgar Allan Poe's fears for the safety of his wife, Virginia, and mother-in-law, Muddy, are compounded when he receives a parcel of mummified bird parts. Has his nemesis returned to settle an old score? Just as odd is the arrival of Helena Loddiges, a young heiress who demands Poe's help to discover why her lover died at the city's docks on his return from an expedition to Peru.Poe is skeptical of her claims of having received messages from birds and visitations from her lover's ghost, but when Miss Loddiges is kidnapped, he and his friend C. Auguste Dupin must unravel a mystery involving old enemies, lost soul-mates, ornithomancy, and the legendary jewel of Peru.
'And I prayed that I would find a way to tell my most honorable friend, the Chevalier C. Auguste Dupin, the truth about how I had finally been murdered, and by whom.'
Advice from an expert, ranging from learning the subgenres to approaching financial partnersAimed at screenwriters, producers, development executives, and educators interested in the crime genre, this book provides an invaluable basis for crafting a film story that considers both audience and market expectations without compromising originality. A brief historical overview of the crime genre is presented for context along with an analysis of various crime sub-genres and their key conventions, including: police, detective, film noir, gangster, heist, prison, and serial killer. The book focuses on the creative use of these conventions and offers strategies for focusing theme and improving characterization, story design, structure, and dialogue. Paradigms, story patterns, and writing exercises are provided to assist the script development process, and strategies for revision are discussed along with key questions to consider before approaching creative or financial partners.
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