Bøger af Karen Valby

For fans of Hidden Figures and The Immortal Life of Henrietta LacksThe kind of history I wish I learned as a child dreaming of the stage! MISTY COPELANDVibrant, propulsive and inspiring TIA WILLIAMSHarlem 1969; its the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be. It is about the heart-breaking impact of the AIDS epidemic which claimed the lives of so many of the male dancers. Its about racism and activism through art. And its about the eternal glamour of ballet; these swans appeared at the grandest opera houses and theatres, dancing at the White House, and even for the Queen. Their fans included Mick Jagger and they performed alongside the likes of Michael Jackson and Josephine Baker. But most importantly it tells the universal story of female friendship, and in particular how these five young women formed a bond - while experimenting with different ways of dying ballet shoes and tights to match their skin tones - which still endures many decades later.

Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be.

Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be. It is about the heart-breaking impact of the AIDS epidemic which claimed the lives of so many of the male dancers. It's about racism and activism through art. And it's about the eternal glamour of ballet; these swans appeared at the grandest opera houses and theatres, dancing at the White House, and even for the Queen. Their fans included Mick Jagger and they performed alongside the likes of Michael Jackson and Josephine Baker. But most importantly it tells the universal story of female friendship, and in particular how these five young women formed a bond - while experimenting with different ways of dying ballet shoes and tights to match their skin tones - which still endures many decades later.

"The forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now. At the height of the Civil Rights movement, Lydia Abarðca was a Black prima ballerina with a major international dance company-the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz and on Broadway with Bob Fosse. She performed in some of ballet's most iconic works with her closest friends-founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton-for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond. Some forty years later, when Lydia's granddaughter wanted to show her own ballet class evidence of her grandmother's success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves. Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long."--

"The forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now. At the height of the Civil Rights movement, Lydia Abarðca was a Black prima ballerina with a major international dance company-the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz and on Broadway with Bob Fosse. She performed in some of ballet's most iconic works with her closest friends-founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton-for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond. Some forty years later, when Lydia's granddaughter wanted to show her own ballet class evidence of her grandmother's success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves. Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long"--